Conceição Senna

O AMOR DENTRO DA CÂMERA is an essay documentary that tells the story of Conceição and Orlando Senna, pioneers of Audiovisual, who live a romance of almost 60 years, crossed by the History of cinema and Latin America. Intimate and metalinguistic, portrayed in the warmth of the home and through archival materials, when telling a love story, it takes us through the cinematographic and political networks that have woven across the continent.

A countercultural movement that took place at Ipanema Pier marked the history of all participants. Painters, musicians, actors, surfers and others came together to change the system through peaceful demonstrations, including drugs, sex and new experiences. After decades of events, the main participants recall the events.

A countercultural movement that took place at Ipanema Pier marked the history of all participants. Painters, musicians, actors, surfers and others came together to change the system through peaceful demonstrations, including drugs, sex and new experiences. After decades of events, the main participants recall the events.

Since the 1970s, Roberto Pires has militated against the use of nuclear energy. For that, he went looking for the biggest Brazilian name in this subject, César Lattes, professor of Nuclear Physics at UNICAMP. Believing that nuclear energy could, in the long run, extinguish human life. With the collaboration of Orlando Senna, he writes the screenplay for the film “Abrigo Nuclear”, an ambitious production, science fiction film entirely produced and shot in Bahia. With little money, armed with his creative ability, Roberto builds a 'spaceship' and a studio in the backyard of his house. He calls children, relatives and friends and begins production on “Nuclear Shelter”, which is released in 1981. With statements by Orlando Senna, Laura Pires, Nonato Freire, among others, the documentary "Bahia SCI-FI" intends to explore the universe that surrounded Roberto Pires, Bahia and the possible nuclear war of the late 1970s and early 1970s. 1980.

The young Beto ventures to the Brazilian countryside in search of a collection of rare drawings. There he meets Samir, the collector, and his family ruined by the demise of the cocoa plantations. The journey and the encounter will irrevocably change the young man’s soul.

Documentary on "Antonio das Mortes", Glauber Rocha's 1969 film.

An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.

The film narrates the transformation process of the city of Lençóis and, through testimonies, the residents recall the filming of Diamante Bruto and the changes that have occurred since then in their lives and in the local economy.

Laura Rossellini, a widow from Rome, vacations on the Algarve coast one hot summer. One day while sunbathing, she finds a wounded man named Robert drifting in the surf on a rubber raft. She takes him home, and, after he is revived, learns his story. As they talk, their mutual attraction grows, until a group of armed men suddenly arrive looking for Robert.

In Rio de Janeiro's bohemian district called Lapa, during the '40s, a stylish and popular scoundrel exploits a cabaret singer, and earns his living by means of petty swindles. But then he meets Ludmila, the cabaret owner's daughter, who wants to get rich smuggling goods in times of war.

Our planet was contaminated by many nuclear explosions that left the soil and the air filled with radiation, and now the few survivors of those catastrophic events live under the ground on a shelter controlled by scientists. After an incident inside the shelter, a group of rebellious scientists defy their leadership when they find a good possibility of returning to the surface. (IMDb)

In the beginning of the 20th Century, in the Northeast of Brazil, one of the first Brazilian industrialists is persecuted because he refuses to sell his business to a British company.

The adventures of a gang of thieves and murderers led by violent Caveirinha. A radical disruption proposal from the postulates of the Cinema Novo, a film with a loose narrative structure. Through the actions of a group of outlaws, the director sews in scenes that propose iconoclasm and elation as forms of opposition to the military dictatorship oppression.

A new incarnation of Cangaceiro bandits, led by Coirana, has risen in the badlands. A blind landowner hires Antônio to wipe out his old nemesis. Yet after besting Coirana and accompanying the dying man to his mountain hideout, Antônio is moved by the plight of the Cangaceiro’s followers. The troubled hitman turns revolutionary, his gun and machete aimed towards his former masters.