Jun Togawa

Maiko is a recently widowed young woman travelling to Bali to distract herself from the loss of her husband, Esau. At the airport she meets Kioko, who gives her a dagger and a photo of a woman. She tells Maiko she must find the woman, Shireni, in Bali and convince her to return to Japan, or she must use the dagger to kill her. Soon after her arrival in Bali she meets Shireni and is invited to stay with her. Quickly Maiko finds herself trapped on Shirini's island paradise, by her own confusion and her developing love for Shireni. She discovers Shireni to be immortal, a former spirit medium whose only goal is to find pleasure, body and soul.

Approached by a friend about a matchmaking arrangement, Su-san goes to Hama-chan's home seeking help. Hama-chan is away on a business trip, but Michiko entertains Su-san late into the night. When he gets drunk and ends up spending the night, Hama-chan, begins to question his boss's relationship with Michiko.

Hama-chan and Su-san go fishing during a business trip, but Hama-chan has to give a lecture on Su-san's behalf in a case of mistaken identity.

Based on the novel of the same name by Shizuka Ijûin. Played as a double feature with Crepe (1993).

Hama-chan shows up to work with his son on his back when his wife goes to her class reunion and his mother throws her back out.

Looks at the lives of Chinese people in Japan.

In the sparsely populated rural areas of Japan, the female population is far smaller than the male. An attempt is made to counter this imbalance by arranging marriages with Filipino women. Fey, a young Filipina, came as a mail-order bride. Although she tries hard, she cannot get on with her husband, either verbally or emotionally. After a year, she flees her snow-country husband with only the clothes on her back and sets out in search of work in Toyko. She wanders through Toyko asking for help in churches and at the Philippine Embassy. She needs to find work to earn enough money for a flight home. She finally finds a job and a place to stay with a Chinese man who is sympathetic to her situation. He introduces her to two of his Japanese neighbors who, when they hear Fey's life story, immediately decide to help her find her Japanese father whom she has never met.

Hama-chan and his wife are ecstatic about their long-awaited pregnancy. Meanwhile, Su-san's nephew joins Hama-chan's department at the company.

Anthology film featuring three stories, each written and directed by a different actress and based on a comic by Hitomi Saki.

Anthology film featuring three stories, each written and directed by a different actress and based on a comic by Hitomi Saki.

Anthology film featuring three stories, each written and directed by a different actress and based on a comic by Hitomi Saki.

Su-San invites Hama-chan to go fishing at a place close to his heart after learning about Hama-chan and his wife's fertility problems.

Tora-san's nephew Mitsuo is exchanging letters with Izumi, a former classmate whose parents divorced and took her out of Tokyo.

Hama-chan gets Su-san hooked on fishing, but Su-san has some problems to deal with; a beautiful woman saves Su-san when he collapses while fishing.

A magical realist story of the legendary Okinawan hero Untamagiru participating in efforts to form an independent Okinawa before the island was returned to Japan in 1972.

The story follows Yasuyuki, an amateur musician living alone in Tokyo, supported by an allowance from his parents. He doesn't go to college or have a steady job, but instead spends his days traveling through Tokyo with artist Eriko (Kahori Fujii) and punk pizza delivery boy Kinta (Kazuhiko Kanayama). Yasuyuki cannot figure out his place in the world, or what he truly wants. One day, the group runs into a man who turns out to be Eriko's fiancé, and it is revealed that Eriko is actually from a wealthy elite family. She leaves with the man, and seems to disappear, with rumors circulating that she's going to marry him in South America after graduation. The trio breaks up, and it's up to Yasuyuki to search for his friends, and his own purpose in life.

Densuke Hamazaki is an office worker at Suzuki Construction and gets transferred to the main Tokyo office. After settling in to his surrounding along with his wife Eri, Densuke befriends an elderly man named Ichinosuke Suzuki. Ichinosuke is a lonely and old man who learns to enjoy life again through his friendship with Densuke. Meanwhile, Densuke is completely unaware that Ichinosuke is the boss of his construction company. The two men become friends through their shared passion for fishing.

The adventures and tribulations of a group of students during the years following the II World War.

Yuichi Koga is an upper-class business executive, running his own adult video company, and living a successful life with his wife and daughter. Outwardly, his family seems really happy, but in reality Yuichi enjoys sex with everyone but his wife Chikako. One day, he gets a phone call from a woman named Sanae, an old elementary school classmate of his.

October, 1987. American filmmaker Steven Okazaki is making a documentary about laureated japanese author Kenzaburo Oe, but all goes wrong when he finds out that due to "mistranslated facts" the subject of his film has only one day to spare before leaving the country. During their brief interview, Mr. Kenzaburo affirms that the new generation of japanese artists are "spoiled, un-original and too influenced by Western culture." so, having a japanese film crew rented for four more days, Steven decides to roam the streets of Tokyo filming the lives of the japanese emergent underdog artists, trying to make some sense of Mr. Oe's statement.

Featuring footage from Jun Togawa and Yapoos' 1985-1986 tour.

Stop motion animation. I started making three-dimensional works around this time. (Yuko Asano).

Young writer Tamako, who is wrongfully accused of killing the head yakuza, must find a way out of trouble.

A shady music mogul brings together two wannabe stars—punk rock rebel Kan and new-wave crooner Shingo—and transforms them into the Stardust Brothers, a girl-friendly, silver-jumpsuited, synth-pop sensation. Along with their #1 fan, who herself dreams of a music career, the duo rockets to stardom.

Go Takamine's first theatrical feature is a pioneering work of Okinawan cinema, filmed almost entirely in Okinawan dialect. Taking place shortly before the resumption of Japanese sovereignty over Okinawa, Takamine’s film tacitly addresses the island prefecture's complicated history of occupation and feelings of dislocation through the story of a small community and its preparations for a wedding between a local girl and a Japanese teacher. On the periphery of these events is Reishu (Kaoru Kobayashi), who quits his job on a US military base and uses the extra time to catch snakes and play with ants – and get the bride-to-be pregnant. Takamine’s leisurely-paced film is full of uniquely Okinawan touches that mix in aspects of the island's folklore, accompanied by Haruomi Hosono’s spare and evocative score.

A kindergarten teacher meets a novice magician and together they travel to another city to find love.

Comedy starring members of the Japanese band Checkers.

A sendup of the stereotypical Japanese family: dad is a salaryman jerk, unable to relate to anyone; mom is a hopeless housewife; the older son is a moderate academic success; but the younger son is a rebellious goof-off for whom a tutor must be hired. The tutor, played by the prototypical bad boy actor Matsuda Yusaku, proceeds to blow the entire family apart.