Set Designer
In this captivating Depression-era melodrama, impetuous veterinary student Jacob Jankowski joins a celebrated circus as an animal caretaker but faces a wrenching dilemma when he's transfixed by angelic married performer Marlena.
Set Designer
Don Ready is many things, but he is best-known as an extraordinary salesman. When a car dealership in Temecula teeters on the brink of bankruptcy, he and his ragtag team dive in to save the day. But what Ready doesn't count on is falling in love and finding his soul.
Set Designer
When a crime brings them back to L.A., fugitive ex-con Dom Toretto reignites his feud with agent Brian O'Conner. But as they are forced to confront a shared enemy, Dom and Brian must give in to an uncertain new trust if they hope to outmaneuver him. And the two men will find the best way to get revenge: push the limits of what's possible behind the wheel.
Set Designer
When a much-publicized ice-skating scandal strips them of their gold medals, two world-class athletes skirt their way back onto the ice via a loophole that allows them to compete together as a pairs team.
Set Designer
Darius Stone's criminal record and extreme sports obsession make him the perfect candidate to be the newest XXX agent. He must save the U.S. government from a deadly conspiracy led by five-star general and Secretary of Defense George Deckert.
Set Designer
Calvin and his friends, who all live in an orphanage, find old shoes with the faded letters MJ connected to a powerline. One stormy night, they go to get the shoes when Calvin and the shoes are struck by lightning. Calvin now has unbelievable basketball powers and has the chance to play for the NBA.
Set Designer
A young female embezzler arrives at the Bates Motel, which has terrible secrets of its own. Although this version is in color, features a different cast, and is set in 1998, it is closer to a shot-for-shot remake than most remakes, Gus Van Sant often copying Hitchcock's camera movements and editing, and Joseph Stefano's script is mostly carried over. Bernard Herrmann's musical score is reused as well, though with a new arrangement by Danny Elfman and recorded in stereo.
