Roxana Berco

Ana returns to Buenos Aires to claim her inheritance. She meets her father's close friend Dr. Benedetti, a scientist, where he has discovered a doorway to another dimension which allows Ana to reconvene with the dead.

Abril tries to find meaning in her own life. In the process, her perception changes; her skin transforms to the point of becoming a new one.

Empty Nest tells the story of a couple who have to struggle to find themselves after their children grow up and move out. It starts out as a fairly simple story of a couple but becomes complicated by a series of events that may or may not be occurring only in Leonardo’s mind.

Renee returns home one Saturday after giving an early morning piano lesson. She lives in the provinces with her husband Juan and their five year-old son Santi. Over breakfast, they discuss a possible move to Buenos Aires but rule it out after Juan provides a reasoned argument against it. He suggests a family trip to the beach. Renee proposes for Juan alone to take Santi to the beach while she takes her ailing mother Virginia to the country. The film bifurcates as the narrative alternates between the two excursions. Renee picks up Virginia at an assisted-living facility; they drive to a rustic cabin, sit by the fireplace and later take a walk in the forest. Juan and the inquisitive Santi travel further, to an almost empty beach, walk down a pier, build a castle out of sand, and meet two fishermen who entertain the boy with sea tales and teach him how to gut a fish.

Cristina's life is thrown into turmoil when she is suddenly escorted from her strict Catholic school in Buenos Aires and told that she is really Sofía Lombardi, the daughter of activists who disappeared in the '70s. Questioning everything she once thought true, Cristina embarks on a journey to find her true identity. Meeting others like herself, the young girl soon discovers the real-life horrors of Argentina's relatively recent past and the nightmare that claimed tens of thousands of lives during the country's "dirty war."

Buenos Aires movie director, very fond of the legend of the King of Patagonia and Araucania, decides to make a movie about it. Despite of financial troubles, technical problems, misfortune and desertions, he undertakes the journey to Patagonia for the film with a second-rate actor company. Neglected by the producer and shortly after by the company, he will make the movie alone, in a surreal landscape like mad.

A dynamic young man falls in love with his own boss, a married businessman, with two children.

In Buenos Aires of the 1840s, a young Jesuit and a wealthy socialite fall in love and begin a torrid affair. They escape from the city, and, in disguise, set up house in a village, assuming they are safe and beyond the cares of anyone. However, both the church and Camila's family are enraged, vowing to hunt down the lovers for a capital crime. Based on a true story.

In 1930s Argentina, dim-witted Rufino and Jacinto are hired as tough guys ("guapos") by political boss Malatesta to intimidate his opponents, rig elections, etc. However, the two men change allegiances when they meet the lovely Mercedes and La Mendocina, victims of Malatesta and his gang.