Self (voice)
The 37th Annual Rock & Roll Hall of Fame Induction Ceremony take place on Saturday, November 5, 2022 at Microsoft Theater in Los Angeles, California. This year’s Performer Inductees are Pat Benatar, Duran Duran, Eminem, Eurythmics, Dolly Parton, Lionel Richie, and Carly Simon. Judas Priest and Jimmy Jam & Terry Lewis will receive the Musical Excellence Award, Harry Belafonte and Elizabeth Cotten the Early Influence Award, and Allen Grubman, Jimmy Iovine, and Sylvia Robinson the Ahmet Ertegun Award.
This year we're celebrating the 50th Anniversary of the legendary Europe '72 Album, by bringing the previously unreleased Tivoli Concert Hall, 4/17/72 performance to the big screen.
Music
Chris is embarrassed and shy about some problems with his ding dong. When he starts to catch feelings for Daisy, he fears the truth will finally come out.
Self (archive footage)
Examine the history of bluegrass music, from its origins to its eventual worldwide popularity, and hear from dozens of musicians who explain the ways bluegrass music transcends generational, cultural and geographic boundaries.
The Grateful Dead’s complete concert from June 17, 1991 at Giants Stadium in East Rutherford, New Jersey. The show is one of only two recorded on 48-track analog tape, providing spectacular and unprecedented audio quality. The 1991 Giants Stadium show features fan favorites such as "Eyes Of The World,""Truckin’,""Uncle John’s Band," along with Grateful Dead rarities including "Saint Of Circumstance," "Might As Well," "New Speedway Boogie," and so much more.
Self (archive footage)
The amazing untold story of the radical underground radio station WBCN-FM set against the profound social, political and cultural changes of the late-1960s and early-70s, using the actual sights, sounds and stories of those who connected through the station, exploding music and countercultural scenes, militant anti-war and civil rights protests and emerging women’s and LGBTQ-liberation movements.
Himself (archive footage)
The tale of the Grateful Dead is inspiring, complicated, and downright messy. A tribe of contrarians, they made art out of open-ended chaos and inadvertently achieved success on their own terms. Never-before-seen footage and interviews offer this unprecedented and unvarnished look at the life of the Dead.
Band Member
A short documentary about the Grateful Dead's legendary May 8, 1977 show at Barton Hall at Cornell University.
This project was done with humor, truth, and sarcasm. At the University of California, Santa Cruz, UCSC, where I went to college, there were many fans of The Grateful Dead. They called themselves Deadheads. I had not heard of the band before attending the school. I listened to the music, and I didn't understand why people felt so passionately about the band. I was intrigued. So in 1986, I decided to try and understand these people and the music they loved, and to create a video of my quest. This documentary project is the result. Enjoy.
Himself
Ending their long strange trip of 50 years, the surviving members of the Grateful Dead played their final "Fare Thee Well" concert at Chicago's Soldier Field Sunday night, urging a massive fervent crowd to take the feeling of the night, "Remember it, take it home and do some good with it - please, be kind.” In honor of the 50th anniversary event, the great Playing For Change released a video of their own cadre of global artists covering "Ripple." "The ripple effect," said Playing co-founder Mark Johnson, "is that the next generation gets to learn to play music all over the world.” Net proceeds from the video will benefit the Playing For Change Foundation’s music schools and programs for children worldwide.
self
Sixteen performances, which total 73 minutes, of previously unreleased performances from the 1969 Woodstock Festival. This is the follow-up to 2009's Woodstock: Untold Stories Melanie: "Mr. Tambourine Man/Tuning My Guitar" (6:18)
Joan Baez: "Oh Happy Day" (3:59)
Joan Baez: "I Shall Be Released" (3:38)
Santana: "Persuasion" (2:55)
Canned Heat: "Woodstock Boogie" (8:38)
The Grateful Dead: "Mama Tried" (2:53)
The Who: "Sparks" (5:25)
The Who: "Pinball Wizard" (2:51)
Jefferson Airplane: "Volunteers" (2:53)
Jefferson Airplane: "Come Back Baby" (5:56)
Country Joe and the Fish: "Not So Sweet Martha Lorraine" (4:23)
Crosby, Stills & Nash: "Helplessly Hoping" (2:27)
Crosby, Stills & Nash: "Marrakesh Express" (2:55)
The Paul Butterfield Blues Band: "Everything's Gonna Be Alright" (8:53)
Sha Na Na: "Book of Love" (2:07)
Jimi Hendrix: "Spanish Castle Magic" (7:09)
Self
Sunshine Daydream is a concert film starring the Grateful Dead. On a blistering summer day in 1972, the Grateful Dead took the stage on the grounds of the Oregon Country Fair in Veneta, Oregon. for what would become one of the most legendary concerts of the band’s storied history. Considered to be the Merry Pranksters last "Acid Test", the concert offers a snapshot of the band at the peak of its playing prowess. The setlist that day included memorable performance of "Sugaree, " "Deal, " "Black-Throated Wind, " "Greatest Story Ever Told, " "Bird Song" and a mind-melting version of "Dark Star" that stretches over 30 minutes. The show, which was recorded and filmed but never released, has since become the most-requested live show in Grateful Dead history. A digitally remastered and reedited official version of the film was released on DVD and Blu-ray on September 17, 2013.
Bonus Disc Performances Shoreline Ampitheatre • Mountain View, CA • October 2, 1987 14-1 China Cat Sunflower 14-2 I Know You Rider 14-3 Man Smart, Woman Smarter Sullivan Stadium • Foxboro, MA • July 2, 1989 14-4 Friend Of The Devil The World Ampitheatre • Tinley Park, IL • July 22, 1990 14-5 Hey Pockey Way Soldier Field • Chicago, IL • June 22, 1991 14-6 Shakedown Street 1992 Documentary Backstage Pass, Directed By Justin Kreutzmann 14-7 Backstage Pass New Interview With Grateful Dead Archivist David Lemieux 14-8 New Interview With Archivist David Lemieux
Himself
A freewheeling portrait of Ken Kesey and the Merry Prankster’s fabled road trip across America in the legendary Magic Bus. In 1964, Ken Kesey, the famed author of “One Flew Over the Cuckoo’s Nest,” set off on a legendary, LSD-fuelled cross-country road trip to the New York World’s Fair. He was joined by “The Merry Band of Pranksters,” a renegade group of counterculture truth-seekers, including Neal Cassady, the American icon immortalized in Kerouac’s “On the Road,” and the driver and painter of the psychedelic Magic Bus.
Grateful Dead: Crimson, White & Indigo | Philadelphia July 7, 1989: SET I: 1)Hell In A Bucket, 2. Iko Iko, 3. Little Red Rooster, 4. Ramble On Rose, 5. Stuck Inside Of Mobile With The Memphis Blues Again, 6. Loser, 7. Let It Grow, 8. Blow Away | SET II: 1. Box Of Rain, 2. Scarlet Begonias, 3. Fire On The Mountain, 4. Estimated Prophet, 5. Standing On The Moon, 6. Rhythm Devils, 7. Space, 8. The Other One, 9. Wharf Rat, 10. Turn On Your Lovelight, 11. Knockin' On Heaven's Door
self
2 hours of musical performances from Woodstock which weren't included in the original Woodstock film. Joan Baez: "{I Live} One Day at a Time" (4:17)
Country Joe McDonald: "Flying High" (2:21)
Santana: "Evil Ways" (3:56)
Canned Heat: "I'm Her Man" (5.33)
Canned Heat: "On the Road Again" (10.49)
Mountain: "Beside the Sea" (3:38)
Mountain: "Southbound Train" (6:17)
The Grateful Dead: "Turn on Your Love Light" (37:44)
Creedence Clearwater Revival: "Born on the Bayou" (5:12)
Creedence Clearwater Revival: "I've Put a Spell On You" (4:10)
Creedence Clearwater Revival: "Keep on Chooglin" (9:25)
The Who: "We're Not Going to Take It" (9:07)
The Who: "My Generation" (7:36)
Jefferson Airplane: "3/5 of a Mile in 10 Seconds" (5:40)
Joe Cocker: "Something's Coming On" (4:14)
Johnny Winter: "Mean Town Blues" (10:52)
Paul Butterfield: "Morning Sunrise" (8:26)
Sha Na Na: "Teen Angel" (3:21)
Self (archive footage)
All Tomorrow's Parties is a 2009 documentary film directed by All Tomorrow's People and Jonathan Caouette covering the history of the long running All Tomorrow's Parties music festival. Described as a "post-punk DIY bricolage", the film was created using footage generated by the fans and musicians attending the events themselves, on a multitude of formats including Super8, camcorder and mobile phone. All Tomorrow's People is a name representing the contributions of these attendees.
self
Documentary on the sexual revolution in America.
Grateful Dead - The Broadcast Archives
Grateful Dead: Rocking The Cradle
Olest Brother
Himself
While recorded in the late 70s and early 80s, the theme to this Tom Snyder release is icons of the 1960s. Features Ken Kesey, the Grateful Dead, Dr. Timothy Leary, and Tom Wolfe as Guests The Dead play a short set of 'On the Road Again,' 'Dire Wolf,' 'Deep Elm Blues' and an abbreviated 'Cassidy.
The Last Great Traffic Jam is a live album and DVD from the rock band Traffic. The album was recorded from the 1994 Traffic reunion concert tour.
Himself
On September 1, 1990, at the Shoreline Amphitheater, the Garcia Band performed a particularly poignant kind of magic. A Grateful Dead show was originally scheduled for that date, but the Dead's brilliant, passionate keyboard player, Brent Mydland, had died of an overdose at age 37 in late July. Rather than cancel the gig, the Garcia Band stepped in to deliver one of their most heartfelt performances. First Set - How Sweet It Is ToBe Loved By You, Stop That Train, Dear Prudence, I Shall Be Released, Run for the Roses, My Sisters and Brothers, Deal. Second Set - I Second That Emotion, Think, And It Stoned Me, Waiting For A Miracle, Don't Let G, That Lucky Old Sun (Just Rolls Around Heaven All Day), Tangled Up in Blue.
Grateful Dead - Still Alive And Well
as Himself
Grateful Dead: Bird Song
Himself
The filmed account of a large Canadian rock festival train tour boasting major acts. In the summer of 1970, a chartered train crossed Canada carrying some of the world's greatest rock bands. The Grateful Dead, Janis Joplin, The Band, Buddy Guy, and others lived (and partied) together for five days, stopping in major cities along the way to play live concerts. Their journey was filmed.
Himself
The Grateful Dead perform two live concerts in Oakland and Anaheim in 1987. Featuring the entire sets from both shows, View from the Vault 4 is a must-rent for the legions of Deadheads. Songs include "When Push Comes to Shove," "Funiculi Funicula," "Terrapin Station," "Throwing Stones" and many more.
Grateful Dead - View from the Vault III Shoreline Amphitheater Mountain View CA June 16, 1990 First Set: 1 Let The Good Times Roll 2 Truckin' 3 Touch Of Grey 4 Mama Tried 5 Big River 6 Friend Of The Devil 7 Cassidy 8 Big Boss Man 9 One More Saturday Night Second Set: 10 China Cat Sunflower 11 I Know You Rider 12 We Can Run 13 Estimated Prophet 14 Terrapin Station 15 Jam 16 Space 17 Drums 18 China Doll 19 Sugar Magnolia 20 It's All Over Now, Baby Blue Bonus Footage: Shoreline Amphitheatre - Mountain View, CA - October 3, 1987 21 Hey Pocky Way 22 New Minglewood Blues 23 Candyman 24 When I Paint My Masterpiece 25 West L.A. Fadeaway 26 My Brother Esau
Himself
Eric Saperston directs this amazing journey about a group of young Americans who decide to ask the age old question in life, "what do our elders have to pass down to us?"
Self
Jerry Garcia, legendary lead guitarist for the Grateful Dead and David Grisman, virtuoso mandolinist and founder of "Dawg" music… Now, for the first time ever, the musical matrimony and extraordinary friendship of Garcia and Grisman is traced in the award-winning documentary Grateful Dawg.
View from the Vault, Volume One, sometimes known simply as View from the Vault, is the first release in a series of DVDs and companion soundtracks by the Grateful Dead known as "View from the Vault". The audio is taken from the soundboard and the video from the video screens at the concerts. The first volume was recorded and filmed at Three Rivers Stadium in Pittsburgh on July 8, 1990 with bonus material recorded two days earlier at Cardinal Stadium, Louisville. The set was certified Gold by the RIAA on February 2, 2001.
Self
Traces the Beats from Allen Ginsberg and Jack Kerouac's meeting in 1944 at Columbia University to the deaths of Ginsberg and William S. Burroughs in 1997. Three actors provide dramatic interpretations of the work of these three writers, and the film chronicles their friendships, their arrival into American consciousness, their travels, frequent parodies, Kerouac's death, and Ginsberg's politicization. Their movement connects with bebop, John Cage's music, abstract expressionism, and living theater. In recent interviews, Ginsberg, Burroughs, Kesey, Ferlinghetti, Mailer, Jerry Garcia, Tom Hayden, Gary Snyder, Ed Sanders, and others measure the Beats' meaning and impact.
Self
This installment of the Classic Albums series follows the making of two Grateful Dead albums, the fiercely experimental Anthem of the Sun and the understated masterwork American Beauty, which spawned melodic gems like "Sugar Magnolia" and "Ripple." Between the archival scenes and contemporary interviews with band members, the DVD shows a band making seismic inroads in pop music--and five young guys coming to terms with artistry, mortality, and, yes, the pursuit of happiness. There is priceless footage of Neal Cassady driving Ken Kesey's bus and of the Dead, surrounded by martini-sipping hipsters, on Playboy After Dark. The best scenes involve band members talking about specific songs (you will never hear Phil Lesh's "Box of Rain" again without thinking of it as a gift to his dying father) or deconstructing a tune by playing each track separately. Intimate and surprisingly cohesive, Anthem to Beauty is a rare glimpse into how the Dead's magic was made.
Music
The music of the Grateful Dead processed alongside computer graphics.
In 1993, Grateful Dead took the stage at Buckeye Lake Music Center in Hebron, OH. On hand that night was Peter Shapiro, at the time a Northwestern film student spending a month on summer tour alongside cameraman Philip Bruell. The Buckeye Lake show opens and the Heads document the swelling Dead scene.
Self
No single figure in American music so dominated a genre as did Bill Monroe with bluegrass. BILL MONROE: FATHER OF BLUEGRASS MUSIC features performances by Bill Monroe & the Blue Grass Boys, Lester Flatt, Emmylou Harris, Paul McCartney, the Osborne Brothers, Dolly Parton, Ricky Skaggs, Marty Stuart, John Hartford and a once-in-a-lifetime Blue Grass Boys reunion featuring Del McCoury, Chubby Wise and Bill Keith. The film features archival footage and rare 1990s performances from Monroe's final years including many of the greatest songs from his six decades of recording.
The Grateful Dead phenomenon, as told by Bob Weir, Mickey Hart and Jerry Garcia. Excellent production values make this an interesting and entertaining video. Mickey and Bobby are both interviewed solely for this VH1 project. The Garcia interview is from MTV in 1987.
Volume two in the Grateful Dead's View From the Vault series of mixed media releases comes from a pair of Washington, D.C., R.F.K. Stadium shows from the summers of 1990 and 1991, respectively. The feature presentation is both sets from June 14, 1991, with copious filler or "bonus" material from July 12, 1990. As well, the DVD includes a previously unissued music video for "Liberty" -- one of the final collaborative efforts between lyricist Robert Hunter and guitarist and vocalist Jerry Garcia.
Covering 10 years, this 60 minute art documentary takes an inside look at the artisans, magicians, musicians, and lunatics that make up this cult of devotees, deadicated to a band that originated in 1965. Why these fans leave their schools, families and jobs to be part of these ritualistic tribal celebrations of dance, drugs and community, is a 20th century American cultural phenomenon captured here in this time capsuled video tape.
Himself
1990 documentary by the University of North Carolina at Greensboro, featuring sociologist Rebecca Adams, PhD, who examines Deadhead subculture through a theoretical framework based on the ideas of social theorist Georg Simmel. Aired on PBS in the early 90s.
Rarely seen unofficial Grateful Dead documentary short. Filmed on the road in Europe, 1990.
Himself
A live concert from the Grateful Dead, recorded on 7/2/89.
Grateful Dead live concert footage from July 4, 1989. Set list includes: Set 1: Bertha-> The Greatest Story Ever Told Cold Rain And Snow Walkin' Blues Row Jimmy When I Paint My Masterpiece Stagger Lee Looks Like Rain-> Deal Set 2: Touch Of Grey-> Man Smart Woman Smarter Ship Of Fools-> Playin' In The Band Reprise-> Terrapin Station-> Drums-> I Will Take You Home-> All Along The Watchtower-> Morning Dew-> Not Fade Away Encore: U.S. Blues The Band: Jerry Garcia Mickey Hart Bill Kreutzmann Phil Lesh Brent Mydland Bob Weir
Himself
The Making of "Built to Last" documents a rare behind the scenes look at the Grateful Dead's thirteenth and final studio album, Built to Last. The behind the scenes footage contains members of the band working on three songs for the album: Picasso Moon, Blow Away, & Just a Little Light. The footage was filmed at Club Front Studio in San Rafael, CA on March 1st 1989.
Performer
Grateful Dead show on July 17, 1989 at Alpine Valley.
Grateful Dead's New Year's Eve concert 12/31/87 at the Oakland Coliseum Arena.
Self
View from the Vault, Volume Four (or View from the Vault IV) is the fourth release in the "View from the Vault" series of rock concert recordings by the Grateful Dead. Like the other entries in the series, it was released simultaneously as an album on CD and as a concert performance video on DVD. This volume contains two consecutive complete shows — July 24, 1987, at Oakland Stadium, and July 26, 1987 at Anaheim Stadium. The album was released as a 4 CD set.
These concerts were recorded during the "Dylan & the Dead" tour. On this brief tour, each Grateful Dead show was followed by a performance by Bob Dylan, with the Dead providing accompaniment. Songs from those performances are documented on the album Dylan & the Dead.
Guitar
So Far is a music documentary video by the Grateful Dead. Directed by Jerry Garcia and Len Dell'Amico, it is intended to give a subjective view of the Grateful Dead experience. The soundtrack includes Dead song performances, largely from 1985. The visuals combine scenes of the band playing the songs, other Dead related material, computer animation, and found footage that has been altered and edited in various ways. So Far was released on VHS videotape and on laserdisc in 1987, and has a running time of 55 minutes.
Himself
What starts off as a squadron of American daredevil bombers in World War II, branded by society as renegades, turns into a revealing ride into the world of honor, violence, and undying passion for motorcycles on the road.
Performer
The Grateful Dead performs two sets at Essen's Grugahalle in March of 1981. WDR's Rockpalast captures the magic for German televison -- including a special guest: Pete Townsend of The Who.
Self - Grateful Dead
Recorded October 30th and 31st, 1980, at Radio City Music Hall in New York City, Dead Ahead showcases the recently reformed Grateful Dead lineup in acoustic and electric splendor.
The Closing Of Winterland documents the Grateful Dead's landmark New Year's Eve 1978 concert that marked the end of the famed San Francisco Bay Area venue Winterland Aena. The Dead celebrated the closing as an approximately five-hour-long party (complete with breakfast with the audience at dawn) and invited some guests including guitarist John Cipollina of Quicksilver Messenger Service and Ken Kesey as well as actor Dan Aykroyd who provided the midnight countdown.
Musician
1000 years into the future, after the Great Neutron Wars, the world is divided into desert wastelands and isolated city-states. Notorious "Desert Ranger" Kaz is forced to fight in the DeathSport, dueling on futuristic motorcycle "Death Machines". With the help of renegade vixen Deneer, Kaz must face his past and fight to save himself and his people.
Editor
Released in 1977 and directed by Jerry Garcia, is a film that captures performances from the Grateful Dead's October 1974 five-night stand at the Winterland Ballroom in San Francisco. This end-of-tour run marked the beginning of an extended hiatus for the band, with no shows planned for 1975. The movie also faithfully portrays the burgeoning Deadhead scene. The film features the "Wall of Sound" concert sound system that the Dead used for all of 1974.
Director
Released in 1977 and directed by Jerry Garcia, is a film that captures performances from the Grateful Dead's October 1974 five-night stand at the Winterland Ballroom in San Francisco. This end-of-tour run marked the beginning of an extended hiatus for the band, with no shows planned for 1975. The movie also faithfully portrays the burgeoning Deadhead scene. The film features the "Wall of Sound" concert sound system that the Dead used for all of 1974.
Himself
Released in 1977 and directed by Jerry Garcia, is a film that captures performances from the Grateful Dead's October 1974 five-night stand at the Winterland Ballroom in San Francisco. This end-of-tour run marked the beginning of an extended hiatus for the band, with no shows planned for 1975. The movie also faithfully portrays the burgeoning Deadhead scene. The film features the "Wall of Sound" concert sound system that the Dead used for all of 1974.
Performer
1977 saw The Grateful Dead at the height of their powers. The new songs were solid, the band was playing better than ever and the bootleg recordings from that year prove it. This video captures the second and third nights of a three-night stand at Passaic, New Jersey's Capitol Theater. Highlights include: "Estimated Prophet", "Eyes Of The World", "Sugar Magnolia", "Promised Land", "Loser" and many more.
Music
Experimental short contrasting the grey interior of a house with the vibrant colour of its garden. Sunlight shines through leafy trees. The camera zooms in until the image is out of focus. When it zooms out again, it reveals sunlight through leaves reflected in the window of a house. From inside the house, we see a woman, in colour and fully dressed, walk by a window. Outside, the camera and photographer are seen in a mirror. The woman, in black & white now and inside the house nude, walks around a large room, trapped. Further images of the naked woman are interspersed with colour images of the garden outside: pond, lilies, etc. Eventually, the image of the cameraman and his mirror returns and the reflection in the window and the sunshine through trees are repeated.
as Himself
Grateful Dead - At Old Renaissance Faire Grounds 1972
Self
A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.
Self
Self
An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.
This film is straight-ahead footage of Santana, the Grateful Dead, and the Jefferson Airplane playing at The Family Dog in 1970. Each band does two songs, followed by a jam at the end featuring musicians from all of the bands.
Original Music Composer
Anthropology student Daria, who's helping a property developer build a village in the Los Angeles desert, and dropout Mark, who's wanted by the authorities for allegedly killing a policeman during a student riot, accidentally encounter each other in Death Valley and soon begin an unrestrained romance.
Dirty Hippie
CBS TV news special hosted by Harry Reasoner explores the way-out world of the Hippies and the Haight-Ashbury psychedelic 1960s LSD scene. Footage of LSDs users experiencing bummer trips. The Diggers, the Oracle and cool street and Golden Gate Park scenes with hippies tripping out. The Grateful Dead are interviewed and are shown performing "Dancin' in the Streets" on a flatbed truck in Golden Gate Park. The Hippie Temptation!
Sound and image captured by the Merry Pranksters in late 1965 and early 1966: the bus on the road, the Grateful Dead playing an Acid Test, Kool-Aid ritual, etc.
Recorded on Shakedown Street in Albany, NY during Grateful Dead's Summer Tour, 1992.
The film is accompanied by interviews with the band mebers Jerry Garcia, Mickey Hart, and Phil Lesh, who talk about their band's creation, their career and the influence and importance of their music from the era of flower power and beyond.
