Virgil Widrich

Oskar Salomonowitz, the 12-year-old son of filmmakers Anja Salomonowitz and Virgil Widrich, had drawn 206 pictures in a flip book when he died in an accident. His father continued to draw the film with the remaining 482 sheets.

Oskar Salomonowitz, the 12-year-old son of filmmakers Anja Salomonowitz and Virgil Widrich, had drawn 206 pictures in a flip book when he died in an accident. His father continued to draw the film with the remaining 482 sheets.

Oskar Salomonowitz, the 12-year-old son of filmmakers Anja Salomonowitz and Virgil Widrich, had drawn 206 pictures in a flip book when he died in an accident. His father continued to draw the film with the remaining 482 sheets.

Oskar Salomonowitz, the 12-year-old son of filmmakers Anja Salomonowitz and Virgil Widrich, had drawn 206 pictures in a flip book when he died in an accident. His father continued to draw the film with the remaining 482 sheets.

Oskar Salomonowitz, the 12-year-old son of filmmakers Anja Salomonowitz and Virgil Widrich, had drawn 206 pictures in a flip book when he died in an accident. His father continued to draw the film with the remaining 482 sheets.

Oskar Salomonowitz, the 12-year-old son of filmmakers Anja Salomonowitz and Virgil Widrich, had drawn 206 pictures in a flip book when he died in an accident. His father continued to draw the film with the remaining 482 sheets.

What happens in a cinema when you film it at a resolution of 10K with a 360° camera and reverse the spatial and temporal axes? "tx-reverse" shows the collision of reality and cinema in which the order of space and time is suspended.

What happens in a cinema when you film it at a resolution of 10K with a 360° camera and reverse the spatial and temporal axes? "tx-reverse" shows the collision of reality and cinema in which the order of space and time is suspended.

What happens in a cinema when you film it at a resolution of 10K with a 360° camera and reverse the spatial and temporal axes? "tx-reverse" shows the collision of reality and cinema in which the order of space and time is suspended.

When the ambitious Philip takes over the running of the family business from his father, he finds himself confronted by the mysterious reappearance of his dead ancestors. In the course of a long night, during which there is a murder, an illicit love affair and a game with false identities, Philip uncovers a closely guarded family secret.

When the ambitious Philip takes over the running of the family business from his father, he finds himself confronted by the mysterious reappearance of his dead ancestors. In the course of a long night, during which there is a murder, an illicit love affair and a game with false identities, Philip uncovers a closely guarded family secret.

"The coffee table is a microcosm of Vienna because basically, you do not need to leave the coffee house to travel once through the whole of Vienna. This idea eventually led to the idea of a miniature journey through the city, staged with saucers, cups, plates, knives, forks and souvenirs - garnished with projected memories and the many starters, main courses and desserts one can so often find here."

Virgil Widrich compiles film excerpts from the 1950s and 1960s and translates the resulting remix of images through multiple projections on mirror and canvas constructions into a handbuilt three-dimensionality. The visual levels collide (physically), and dream and reality superimpose and dissolve: an audiovisual hall of mirrors in ragingly beautiful black-and-white.

A found footage film collage about the destructive triangle between a man, a woman, and her car. Produced for the exhibition "Car Fetish. I drive, therefore I am." for the Museum Tinguely, Basel.

A surreal montage of science fiction films about the public image oft he robot, collected for the exhibition "Robot Dreams" at the Kunsthaus Graz and the Museum Tinguely, Basel.

A surreal montage of science fiction films about the public image oft he robot, collected for the exhibition "Robot Dreams" at the Kunsthaus Graz and the Museum Tinguely, Basel.

A collection of short films by 16 European directors.

A collection of short films by 16 European directors.

Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.

Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.

Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.

Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.

Written by Jon Reeves. Wordless story about a man who awakes in his bed wearing his clothes (including a check vest). He rises, washes his face, combs his hair, and heads for work across the street at a copy shop. He inadvertently makes a photocopy of his hand, and then the machine beings turning out copies of photographs of himself, the street outside, and his apartment. He unplugs the copier and heads home. He repeats the scene we saw earlier. Copies of himself emerge from bed; baffled, he watches them go to work. Soon, it seems, he's part of a society in which everyone looks like him and wears check vest. Can he get things back to normal?

Written by Jon Reeves. Wordless story about a man who awakes in his bed wearing his clothes (including a check vest). He rises, washes his face, combs his hair, and heads for work across the street at a copy shop. He inadvertently makes a photocopy of his hand, and then the machine beings turning out copies of photographs of himself, the street outside, and his apartment. He unplugs the copier and heads home. He repeats the scene we saw earlier. Copies of himself emerge from bed; baffled, he watches them go to work. Soon, it seems, he's part of a society in which everyone looks like him and wears check vest. Can he get things back to normal?

Written by Jon Reeves. Wordless story about a man who awakes in his bed wearing his clothes (including a check vest). He rises, washes his face, combs his hair, and heads for work across the street at a copy shop. He inadvertently makes a photocopy of his hand, and then the machine beings turning out copies of photographs of himself, the street outside, and his apartment. He unplugs the copier and heads home. He repeats the scene we saw earlier. Copies of himself emerge from bed; baffled, he watches them go to work. Soon, it seems, he's part of a society in which everyone looks like him and wears check vest. Can he get things back to normal?

Written by Jon Reeves. Wordless story about a man who awakes in his bed wearing his clothes (including a check vest). He rises, washes his face, combs his hair, and heads for work across the street at a copy shop. He inadvertently makes a photocopy of his hand, and then the machine beings turning out copies of photographs of himself, the street outside, and his apartment. He unplugs the copier and heads home. He repeats the scene we saw earlier. Copies of himself emerge from bed; baffled, he watches them go to work. Soon, it seems, he's part of a society in which everyone looks like him and wears check vest. Can he get things back to normal?

A moonstruck comedy about lovers and robbers.

A moonstruck comedy about lovers and robbers.

A moonstruck comedy about lovers and robbers.

Tx-transform is a new film technique that transposes the time axis (t) and the space axis (x) with one another in film. Normally, each individual frame of film depicts the entire space but only a moment in time (1/24 second). With tx-transformed films, it is just the opposite: each frame shows the entire time but only a tiny portion of space (the left side of the picture is "before", the right side is "after"). —Virgil Widrich

Romeo and Juliet in the microcosm of the human body... Forbidden love between the young Bacterium Micromeo and Antibody-girl Globia threatens the harmony of the immune system, leading to war between ambitious leaders, and finally awakening a genetic monster that is ready to exterminate them all. "Love is stronger than dirt!"

Romeo and Juliet in the microcosm of the human body... Forbidden love between the young Bacterium Micromeo and Antibody-girl Globia threatens the harmony of the immune system, leading to war between ambitious leaders, and finally awakening a genetic monster that is ready to exterminate them all. "Love is stronger than dirt!"