James Brassel
The story of the most notorious land pirates who stalked the Southeast during the turn of the 19th century. Samuel Mason, a Revolutionary War hero, turns to a life of crime. Meanwhile, Big Harpe and Little Harpe, America’s first serial killers, wreak havoc through the region. Soon, these three outlaws will meet along the wilderness road.
Liquor Store Customer
Sue Ann is a loner who keeps to herself in her quiet Ohio town. One day, she is asked by Maggie, a new teenager in town, to buy some booze for her and her friends, and Sue Ann sees the chance to make some unsuspecting, if younger, friends of her own.
Bow Guy
Photographer Holly Logan returns to her hometown of Gulfport, Mississippi for Christmas. The town is resurrecting their traditional holiday light show for the first time since a terrible hurricane struck five years earlier. Holly volunteers to pitch in, but soon has second thoughts when she discovers the festival is run by her high school sweetheart, Mike.
Mourner (uncredited)
International art dealer Ron Hall must befriend a dangerous homeless man in order to save his struggling marriage to his wife, a woman whose dreams will lead all three of them on the journey of their lives.
Bank Patron (uncredited)
Aspiring New York City artist, John Hollar returns to his Middle America hometown on the eve of his mother’s brain surgery. Joined by his girlfriend, eight months pregnant with their first child, John is forced to navigate the crazy world he left behind.
Bus Rider (uncredited)
Aibileen Clark is a middle-aged African-American maid who has spent her life raising white children and has recently lost her only son; Minny Jackson is an African-American maid who has often offended her employers despite her family's struggles with money and her desperate need for jobs; and Eugenia "Skeeter" Phelan is a young white woman who has recently moved back home after graduating college to find out her childhood maid has mysteriously disappeared. These three stories intertwine to explain how life in Jackson, Mississippi revolves around "the help"; yet they are always kept at a certain distance because of racial lines.
