Lorna Gay Copp

Movies

My Policeman
Dressing Prop
In the late 1990s, the arrival of elderly invalid Patrick into Marion and Tom’s home triggers the exploration of seismic events from 40 years previous: the passionate relationship between Tom and Patrick at a time when homosexuality was illegal.
Susu
Production Design
Two Chinese girls take a film transcription job at a heritage English countryside mansion. Discovering entangled family secrets about the Kunqu Opera star Susu, they find it almost impossible to escape, physically and emotionally.
Trouser Bar
Production Design
Set in a London gentleman's outfitters in 1976, and taking inspiration from the emotions aroused by a fetishist love of corduroy, leather and tight trousers, two men enter Sir John's Trouser Bar but little do they know the sexual adventures that await them inside.
The Sleeping Room
Production Design
In an old building, Bill and Blue, a call girl, discover a mutoscope and a secret room that is key to unlocking a dark secret related to Blue's family.
My Accomplice
Wardrobe Supervisor
My Accomplice is an off-beat comedy about falling in love, set in Brighton, featuring songs and live performances from local bands Transformer, Bob Wants His Head Back and The Mountain Firework Company, an ill-starred search for the village of Wivelsfield, the personal politics of perestroika in the wider context of David Hassel-hoff, apricot flapjacks, abruptly unpredictable weather, gathering evidence of a seagull conspiracy, and a small cast of everyday eccentrics that usually don't make it into films: Bulgarians, adults with learning disabilities, very tall women and elective mutes. In a city of this many vulnerable adults, Frank and Ilse might never have met.
My Accomplice
Art Direction
My Accomplice is an off-beat comedy about falling in love, set in Brighton, featuring songs and live performances from local bands Transformer, Bob Wants His Head Back and The Mountain Firework Company, an ill-starred search for the village of Wivelsfield, the personal politics of perestroika in the wider context of David Hassel-hoff, apricot flapjacks, abruptly unpredictable weather, gathering evidence of a seagull conspiracy, and a small cast of everyday eccentrics that usually don't make it into films: Bulgarians, adults with learning disabilities, very tall women and elective mutes. In a city of this many vulnerable adults, Frank and Ilse might never have met.