Secret muna.
Horticulturist Teresita and Rex, a skydiving enthusiast and passenger jeep manufacturer, have been together for five years. Rex then meets the vivacious but fidgety Sandra, who is obviously smitten with him. Rex is then unsettles by his conflicting feelings for the two.
A three-part, social drama on parent-child relationships, it stars the Philippine movies’ most beautiful face, Amalia Fuentes as the Phaedra-like, upper-crust stepmother who falls in love with her stepson, the adorable Boots Anson Roa as the slum mother who has to choose between her bastard son and her good-for-nothing love, the alluring Pilar Pilapil as the social climbing fashion model who belittles her sacrificing adoptive parent.
One stormy night, in a sea side village, a childless couple finds a mysterious beautiful woman in the beach without any consciousness. The next day, the girl wakes up and introduces herself as Isabel.
Ms. Esguerra
Barbara has always been overly indulgent of her little sister, Ruth's every whim. Her past comes back to haunt her when Barbara receives news that her younger sister has killed herself and was witnessed by Ruth's only daughter Karen. Barbara immediately returns to the Philippines to mourn her sister and comfort her unstable niece. Upon Barbara's return, she learns the reason surrounding Ruth's mysterious death.
Si Popeye, atbp (Popeye etc.) is an unofficial Popeye film released in the Philippines in 1973. A live-action film, it consists of three stories: Episode 1: "Popeye", Episode 2: "Dracula" and Episode 3: "Dyango". Popular Filipino personality Ariel Ureta stars as a mustachioed Popeye (and as the protagonist in the other two segments) while former Miss International Aurora McKenny Pijuan portrays Olive Oyl. The Popeye segment was directed by renowned Filipino filmmaker Ishmael Bernal.
A Filipino parody film of DC's Superman in three segments directed by different directors.
Six beautiful people caught in a deluge of their own raw passions unleashed.
A stripper and taxi driver are fished out of poverty and anonymity by a commercial film director. The obsession with success forces them to affect images as movie stars, which suppress and eventually destroy them as persons and lovers.
