Hair Department Head
In the 1830's in northern England, Riah Millican, a widow with three children, takes a job as housekeeper to a reclusive former teacher, Percival Miller. Miller makes Riah the gift of a black velvet gown, and even educates her children. But when Riah discovers the reason behind Miller's gifts, she vows to leave his house, but Miller has a hold on her, even after his death, when he leaves his house to her on the condition that she never marry. Riah's daughter, Biddy, grows up and becomes a laundress in a large house where her education keeps her from fitting in and makes her a target. But it also catches the eye of a son of the house, and with Miller's legacies, Biddy may yet find her way to happiness.
Makeup Department Head
In the 1830's in northern England, Riah Millican, a widow with three children, takes a job as housekeeper to a reclusive former teacher, Percival Miller. Miller makes Riah the gift of a black velvet gown, and even educates her children. But when Riah discovers the reason behind Miller's gifts, she vows to leave his house, but Miller has a hold on her, even after his death, when he leaves his house to her on the condition that she never marry. Riah's daughter, Biddy, grows up and becomes a laundress in a large house where her education keeps her from fitting in and makes her a target. But it also catches the eye of a son of the house, and with Miller's legacies, Biddy may yet find her way to happiness.
Makeup Department Head
In northern England around 1900, the worker John O'Brien lives near poverty in a small house in the worker's district. He falls in love with Mary, the teacher of his highly intelligent younger sister Kathy and daughter of a rich family. Their love is doomed by the social difference, but the vigorous Mary refuses to allow outer circumstances destroying their love.
Makeup Artist
A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
