Elo Selirand

Elo Selirand

Profile

Elo Selirand

Movies

The Coachman Knocks Three Times
Editor
The film tells the story of a single mother having trouble coping with everyday life. However, she finds in magic and fantasy a way to escape her reality until the enigmatic appearance of a man in her life. He will change her forever, to the point of making the decisions she has always feared. She will suddenly and conclusively have to answer her own question: what do I want? She will be given a chance to correct the mistakes in her life; will she cherish this opportunity or let it slip away?
The Coachman Knocks Three Times
Writer
The film tells the story of a single mother having trouble coping with everyday life. However, she finds in magic and fantasy a way to escape her reality until the enigmatic appearance of a man in her life. He will change her forever, to the point of making the decisions she has always feared. She will suddenly and conclusively have to answer her own question: what do I want? She will be given a chance to correct the mistakes in her life; will she cherish this opportunity or let it slip away?
The Coachman Knocks Three Times
Director
The film tells the story of a single mother having trouble coping with everyday life. However, she finds in magic and fantasy a way to escape her reality until the enigmatic appearance of a man in her life. He will change her forever, to the point of making the decisions she has always feared. She will suddenly and conclusively have to answer her own question: what do I want? She will be given a chance to correct the mistakes in her life; will she cherish this opportunity or let it slip away?
Taarka
Writer
The first film in the Seto language in the world speaks about the brightest heroine of a small people, the folk singer Hilana Taarka, a woman who lived her whole life as an outcast in a small chimney-less hut; as an unmarried mother of children in poverty, begging her bread, doing odd jobs and singing. She always sang the truth, sometimes bitter, sometimes funny, sometimes cruel. She was feared, despised and coveted. Taarka sang throughout her remarkable life, throughout her fate, from a small Seto village to international fame. And she sang well. Really well. Taarka became the Mother of the Song, a legend. But as a woman, as a member of the community, the Seto people never really accepted her. Taarka - a despised woman and a worshiped singer.