Thierry Bosc

We take him for someone else, a Mr. Schmitt. And one evening, at dinner, he and his wife, played by Valérie Bonneton, realize that their apartment has changed, that their business is not theirs. The play is about the perception of oneself. I love the absurd universe of its author, Sébastien Thiéry.

A young woman who moves to Paris and has a brush with disaster. The grown-up at last, an accomplished woman, who thought she was safe from her own past. Gradually, these characters come together to form a single heroine.

When their regal matriarch falls ill, the troubled Vuillard family come together for a hesitant Christmastime reunion. Among them is rebellious ne'er-do-well Henri and the uptight Elizabeth. Together under the same roof for the first time in many years, their intricate, long denied resentments and yearnings emerge again.

A cop investigates whether the man convicted of murdering his daughter is really guilty.

Under threat in Algeria, Ismahel emigrates to France where he wants to live and work, with the hope that the people he's fleeing from will forget him the time he is away. In the letters that he writes to the daughter that he left behind in his homeland, he tells his own story in the guise of the biblical tale of Jonas and the Whale. Somewhere in France, an elderly farmer has just lost his young son. His three other children help him as much as they can to get through the trial of the funeral, but the ceremony is halted when the old man falls ill. The two stories unfold parallel to each other and are alternated.

Shortly before her wedding, art gallery director Nora travels from Paris to Grenoble to visit her preteen son, Elias, who is spending time with her aging professor father, Louis, recently diagnosed with terminal cancer. During her stay, she reaches out to her former lover, Ismael, a viola player and father figure to Elias who has been committed against his will to a mental hospital. Ismael, however, has his own problems to sort out.

Isabelle, a beautiful nursing student, is starting her internship at a prestigious hospital. She meets Dr. Philip there, feels atracted to him from the beggining and starts suffering from strange fainting; so he calls her Bambi: her legs don't support her. Patients mysteriously start to dissappear from their rooms; so Bambi and Dr. Philip start a cat vs. mouse paranoid game, in order to catch the probable killer.

After seven years of marriage, a couple of professional workers (he, a doctor and she, a banker) try to refresh their sex life.

After the mysterious death of the father, a family - the mother, her son, and her two daughters - try to keep their life together on the island where they have always lived. Lost in the mourning process, without being able to share it, each member of the family unit, which teeters on the verge of breakdown, tries to face the situation. But behind the force of strong links and of the moments of happiness which, for a time, continue to unite them, isolation, the age of the children, and the health of the Mother, accelerate an inevitable separation.

Michel, a children's book author, has always been successful in life until the day his wife leaves him for a Chinese person. Planning on killing his rival, he starts looking for them.

Director Arnaud de Pallières presents an experimental three-part film designed to stimulate the intellect and inspire reflection on the past. The first part tells the story of the last living Holocaust survivor, who is nearing the end of life and regrets not leaving behind an official record of the horrors he witnessed during the dark years of World War II. Later, a young historian researching a concentration camp in Drancy is shocked to discover that the site now houses an unwelcoming housing project called La Muette (the Silent). The trilogy winds to a close with the story of a ship's captain who recalls the time he ventured up an uncharted river towards an undiscovered civilization.

In a specialized, hermetic drama about love won and lost, not necessarily by the same individuals, novice director Christine Laurent has focused on the backstage melodramas of an opera company. The conductor for an upcoming performance of the Marriage of Figaro has his mind and heart on other matters -- an entrancing diva who keeps him enraptured with her presence and voice. In the meantime, he finds fault with his cast members who cannot, of course, measure up to the woman of his dreams. As singers encounter one problem or another, it is clear that something has to be done about the conductor. Director Laurent designed costumes for both theater and opera, giving her some insight into the venue.

The vice-minister of Foreign Affairs of Czechoslovakia, knowing he's being watched and followed, is one day arrested and put into solitary confinement by his blackmailers.