Kátia Coelho

Movies

Dulcina
Executive Producer
Codinome Clemente
Camera Department Manager
O Senhor do Labirinto
Director of Photography
Batchan
Director of Photography
Essa Maldita Vontade de Ser Passaro
Director of Photography
Corpos Celestes
Director of Photography
An astronomer is forced to leave the city where he lives in order to save his relationship. He ends up returning to the place he never intended to come back: The small town where he was born, stage of a great childhood trauma. Once there, he will discover the truth that will change his life forever.
Doce de Coco
Director of Photography
Diana's family produces coconut sweets. João gathers the coconut and Diana and Lucia make the sweets. Zacarias sells product in the city. One day, Diana goes to the river with her mother and her aunt Maria.
Rosa e Benjamin
Director of Photography
The city outside and the city within. Inside: a couple starting to grow old. Outside: a city in constant flux - new buildings, a noisy airport, a troubling new neighbor, gossip. Things that never change amid things that change too fast. The fragmented everyday, seen through a lens that's indirect and selective. Rosa and Benjamin: What's absent or left unsaid tells as much as what comes inside a confining frame - what we put off-limits exposes what we take for granted.
Cinematography
Self
Through conversations held with fifty four of the most distinguished cinematographers working in Brazil and abroad over the last forty years, the documentary explores the working environment, the new tools and the different styles of the professional who controls the light and the shades behind the camera.
The Milky Way
Director of Photography
A modern love story set in Sao Paulo about Heitor, a writer and literature professor, and Julia, a theatre student turned veterinarian. A fight over the telephone propels Heitor into a journey through the chaotic city streets to reconcile with Julia. Their personal history unfolds against the backdrop of the city and its people in a series of events representing the struggle between poetry and science.
Infinitamente Maio
Director of Photography
A short story of love, betrayal, revenge, sex, death and mistreated hearts: Raul comes home to find his wife, Assyria, having sex with another man. He begins for him a spiral of depressive and violent feelings that only seem to pause in the brief moments of leaving the house, attracting the attention of Amanda, a saleswoman. a flower shop.
O Encontro
Cinematography
Morte.
Cinematography
Couple prepare their "great voyage" in all details, not forgetting the flowers, music and luggage.
Tonic Dominant
Director of Photography
Three days in the life of a young clarinetist (Fernando Alves Pinto), who is in love with a violinist (Vera Zimmerman), but can't get her attention. In the first day he feels alone and frail; in the second day what was supposed to be pleasant becomes a nightmare; in the third day he finally achieves fulfillment through music and helps a pianist (Vera Holtz) who is rehearsing for a concert. These three days correspond to a three movement sonata - the director (Lina Chamie) is a musician, so she imprinted a musical structure to her movie, with few dialogs and poetic images. It's a movie for music lovers. Written by CeciliaWolf
Átimo
Director of Photography
The Soul of Business
Director of Photography
A modern couple from a typical advertisement: young, attractive, and brand-conscious. As they use the products on their breakfast table they begin to quote lines from the relevant advertisemnet. Soon their behavior departs from the accepted advertising norm as they zealously defend each other´s products to the death.
Eu Sei Que Você Sabe
Director of Photography
Vala Comum
Additional Photography
Documentary about the discovery of a ditch in a cemetery located in São Paulo, in which were found the carcass of Brazilian political prisoners who fought against the military dictatorship.
O Crime da Imagem
Cinematography
Anos 30: Entre Duas Guerras, Entre Duas Artes
Assistant Camera
Infinita Tropicália
Additional Photography
Tropicália was a Brazilian cultural movement that occurred between 1967 and 1968, inspired by Oswald de Andrade's anthropophagic ideals, pop art and the concretism. Twenty years later, this film revisits the movement and shows that Tropicalismo will never die.
Poema: Cidade
Director of Photography
The Long Trip
Additional Production Assistant
A trip throught brazilian 60's/70's hippie universe.
Ana
Assistant Camera
An existential profile of primitivist painter Ana Moisés in her atelier in Embu, on the outskirts of São Paulo.