Jean-Paul Farré

Alexandre Taillard de Vorms is a force to be reckoned with. With his silver mane and tanned, athletic body, he stalks the world stage as Minister of Foreign Affairs for France, waging his own war backed up by the holy trinity of diplomatic concepts: legitimacy, lucidity, and efficacy. Enter Arthur Vlaminck. Hired to write the minister's speeches, Arthur must contend with the sensibilities of his boss and the dirty dealings within the Quai d'Orsay, the ministry's home.

This is the TV adaptation of a novel by Francis Walder. The scene happens in 1570, during the religions wars between catholics and protestants in France. Both sides are decided for a truth, to enable peaceful negociations of a settlement, which will become the peace of Saint-Germain-en-Laye, the same year. The negociation, lead by Henri de Malassise (Jean Rochefort), and the Earl of Biron for the Catholic side, and Mr. d'Ublé and M. de Mélynes for the protestants side.

In 18th century France, the Chevalier de Fronsac and his Native American friend Mani are sent by the King to the Gevaudan province to investigate the killings of hundreds by a mysterious beast.

A car dealer, well-to-do and with a beautiful wife, finds himself attracted to his rather plain new temporary secretary. Despite her own commitments she feels the same and the two soon embark on an affair. Though it would seem it has happened before his wife finds this particular entanglement of her husband's very difficult to accept.

An inexperienced young actress is invited to play a role in a film based on Dostoyevsky's 'The Possessed'. The film director, a Czech immigrant in Paris, takes over her life, and in a short time she is unable to draw the line between acting and reality. She winds up playing a real-life role posing as the dead wife of another Czech immigrant, who is manipulated by the filmmaker into commiting a political assassination.

A group of friends are planning how to spend their summer vacation. One plans to go to the Seychelles with his American girlfriend. At the airport she dumps him for another guy. He has no money so he steals a backpack and goes camping. Somehow he meets a pretty girl and convinces her to share his tent. But a famous singer sees the girl and wants her too. He convinces the luckless guy to act like a fool and the girl leaves him and goes with the singer to the French Rivera.

Tired of being a housewife, Annie wants to work. Between her professional life and her responsibilities as a parent, she can no longer cope. She decides to leave and starts writing a memoir of her life...

Based on the idea by Roland Topor (screenwriter of Roman Polanski's The Tenant), this very curious completely silent melodrama tells the story of Mona, who has left her father, the railway gatekeeper, after being raped on the train track. She is kidnapped and taken to a Parisian whorehouse. However, a disinherited prince, Dudu who tries to rescue her, is himself kidnapped and forced to serve as a male prostitute. The two captives meet there and fall in love. They are taken away by different rich people - he to an Arab "harem," she to a surgeon's home.

A look at 18th-century France, when the authorities depravity contributed to social oppression, and the uprisings flared up one after another.

A Grand Slapstick comedy about four buddies serving in the army. Their long-suffering sergeant attempts to whip them into shape but the conflict spirals out of control.

A Grand Slapstick comedy about four buddies serving in the army. Their long-suffering sergeant attempts to whip them into shape but the conflict spirals out of control.

The film narrates a utopian abandonment, consensual and festive of the market economy and high productivity. The population decides on a number of resolutions beginning with "We stop everything" and the second "After a total downtime will be revived-reluctantly-that the services and products including lack will prove intolerable. Probably: water to drink, electricity for reading at night, the TSF to say "This is not the end of the world, this is an 01, and now a page of Celestial Mechanics". The implementation of these resolutions is the first day of a new era, Year 01. The Year 01 is emblematic of the challenge of the 1970s and covers such diverse topics as ecology, negation of authority, free love, communal living, rejection of private property and labor.