John Ellis

Movies

Apostasy
Production Design
A faithful Jehovah's Witness is forced to shun her own sister because of a religious transgression. As the separation draws out, she starts to question the meaning of God's love.
Habit
Production Design
Manchester, the present. Michael divides his time between the job center and the pub. A chance meeting with Lee, an introduction to her Uncle Ian and a heavy night on the lash lead to a job working the door at a Northern Quarter massage parlor. After witnessing the violent death of one of the punters, Michael experiences blood-drenched flashbacks and feels himself being sucked into a twilight world that he doesn't understand but that is irresistibly attractive. When he eventually finds out what goes on in the room below Cloud 9, Michaels' life will never be the same again.
ID2: Shadwell Army
Production Design
Long-awaited sequel to the 1995 film. A young British Asian, Mo is a fast-rising police officer who goes under cover infiltrating Shadwell's resurgent hooligan element, who are fired up by Shadwells's takeover by a Russian oligarch and their unlikely adventure into European competition. Mo quickly becomes embroiled in the local schism between the BNP and EDL and plans to build a new mosque in the shadow of the Shadwell ground creates an explosive environment in which football and political violence form a perfect storm of social unrest. In the midst of this, Mo is faced with the essential existential question of of who he really is and where he really belongs. It's 20 years on and clever Trevor is now chief super, but what happens to the rest of the gang?
Altar
Production Design
A young family find themselves in serious danger when they move to an isolated haunted house in the Yorkshire Moors.
White Settlers
Production Design
Young urban couple Ed and Sarah are set to begin a new life when they move from London into an isolated borders Scottish farmhouse. After falling in love with the 19th century Castle Farm and seeing its potential as a fixer-upper they are anxious to get started on the renovations. In bed on their first night Sarah thinks she can hear noises in the darkness but Ed is disbelieving saying it’s her imagination playing tricks. Persisting in her fear they are not alone in the house, she forces Ed to investigate. When he doesn’t return after a scarily long period, she goes downstairs to investigate only to be confronted by a welcoming committee of masked intruders. As she desperately searches for Ed, a terrifying game of cat and mouse ensues with the mysterious assailants. But what do they want and what horrors do they have planned for the two newcomers?