Pablo Gamberg

The universe of Argentine independent cinema. The imposture. The unfulfilled dreams. Confinement—the capability for irony, the skill for comedy and the sagacity of UPA! Una película argentina (2007) are back, renovated, to explore the whims of a microworld still in turmoil.

Michelsen, an older trucker who is lonely and sick, while traveling through Patagonia meets someone on the highway who reminds him of his daughter, whom he has not seen in years.

Despite his long-term relationship, Ernesto also has a fleeting romance with a blonde. Only when he is in danger of losing Paula, through his constant flirting with other women, does he see the consequences of his immature behaviour. In a calm tempo, with meticulous camerawork, the film subtly evokes a mood of nostalgia for a carefree adolescence from which Ernesto and his friends have difficulty taking their leave.

How far would you go to make an independent film? When a director, a producer, and an actress unite to realize their dream of making their first feature, there are no limits in what they are willing to do to accomplish that goal. Stolen locations, amateur work teams, the worst filming conditions, anything goes, even mutual betrayal. The outcome will surprise everyone. Third installment of the Upa! series.

This documentary follows a performing arts school in San Clemente del Tuyú, Argentina, in the middle of the woods, where traditional education is mixed up with alternative methodologies.

After many years away, Ariel is summoned by his distant father to his childhood home in the bustling Jewish quarter of Buenos Aires, known as El Once. Over the course of seven days, during the vibrant holiday of Purim, Ariel seeks to reconnect with his father, who runs a Jewish charity and is regarded as a big macher in the close-knit community, but was frequently absent due to his obligation to fulfill the Jewish quorum of having 10 men present at all funerals.

Eight years after the first installment, Ailén, Fernando, and Nina, meet again in the BAFICI competition. From that reunion, they decide to resume their unfinished project: Tandil/Tromso. They bring along two new collaborators: Martín and Nancy.

Jess is a bohemian youth with secrets to hide from his shrewd parents. James feels trapped living with his irritable mother. After meeting for a sexual encounter, the two young men set off on a spontaneous road trip across rural Argentina to reunite with Jess' estranged brother. On their journey, they confront strange occurrences and engage in a ménage à trois affair that brings them closer. Their newly found affection grows, all while discovering a fresh vision of freedom and happiness. JESS & JAMES is a sexually charged road-trip movie, a love story, and a coming-of-age tale, set against the mythical landscape of the Argentinian Pampas.

A father and daughter journey from Denmark to an unknown desert that exists in a realm beyond the confines of civilization.

A group of girlfriends gather almost every day to sunbathe in the terrace of a building, in an age where getting the perfect tan was everything.

Paulo Coelho is the world’s most translated living author, his books having sold over 165 million copies. But he was not always the inspirational global phenomenon he is today. Like the heroes in his spiritual classics THE ALCHEMIST and THE PILGRIMAGE, he long-searched for his calling, flirting with death, escaping madness, falling in love, and making rock ’n’ roll history in Brazil, all-the-while striving for success as a writer. A wild ride through a lifetime of stranger-than-fiction adventures, PAULO COELHO’S BEST STORY is a profoundly moving film that goes straight to the heart of the most beloved literary guru of our time, revealing the most incredible wonder of all: the man behind the masterpieces.

Tensions rise when a doctor (Daniel Veronese) pressures his teenage son to follow in his footsteps.

In 1810 in Buenos Aires, the revolution is at its height, fuelled by Rousseau's ideas. Meanwhile, thousands of miles away, in the south of the country, a rain of ash disrupts a French expedition and a young woman, Marie Archange is left behind. All alone, in her head she hears Rousseau's minuet in G Minor, which gives her the strength she needs to continue on her way.

When a prominent researcher in the field of human memory returns home, he stumbles upon the fact that a man's past, as he remembers and tells it, is often nothing but fiction.

Lisandro Alonso returns to La Pampa, to the same locations of Freedom, to shoot his Carta para Serra (or Sin título), with a camera that seems to float among the vegetation. He has the company of Misael Saavedra, and yet instead of looking back (or making a tribute to his actors, because that was the subject in Fantasma) this movie seeks to be a prologue for his next one.