Kostadin Bonev

Movies

The Poet In The Labyrinth Of Time
Producer
February 1954: ten mass graves with over 500 bodies are found in the region of Sofia, Bulgaria. Experts say they were killed and the deaths occurred in 1925. In one of the graves a glass eye is found - the glass eye of the poet Geo Milev.
The Poet In The Labyrinth Of Time
Writer
February 1954: ten mass graves with over 500 bodies are found in the region of Sofia, Bulgaria. Experts say they were killed and the deaths occurred in 1925. In one of the graves a glass eye is found - the glass eye of the poet Geo Milev.
The Poet In The Labyrinth Of Time
Director
February 1954: ten mass graves with over 500 bodies are found in the region of Sofia, Bulgaria. Experts say they were killed and the deaths occurred in 1925. In one of the graves a glass eye is found - the glass eye of the poet Geo Milev.
The Sinking of Sozopol
Writer
This is a film about love, ten bottles of vodka and a town that must sink. Because when hope is gone, Miracle is the last resort.
The Sinking of Sozopol
Director
This is a film about love, ten bottles of vodka and a town that must sink. Because when hope is gone, Miracle is the last resort.
Vaptzarov. Five stories about one shooting
Director
A man, Nikola Vaptsarov was sentenced to death on 23 July 1942 by a field court marshal of the then Bulgarian puppet government. Surprisingly enough, the then Communist leaders in charge of Vaptsarov's activities and tried by the same court, got off with lighter sentences and in the wake of the upheaval of 1944 stood at the helm of this country. A decade later, the world got to know that the man executed in the hot summer of 1942 was the greatest of all the Bulgarian poets born in the twentieth century. And his nearest and dearest took to cashing in on his popularity.
Warming Up Yesterday's Lunch
Director
High in the mountains of Macedonia a team of young film makers are making a documentary about Katerina Vandeva - a descendant of an ancient and very famous family. Several former state and party functionaries interfere in the filmmaking in the hopes of manipulating Katerina's confessions for their own purposes. Nikola, the director, and his friends have to make the choice - whether to compromise with their consciences and their art, (as normally happens here in the Balkans), or whether to preserve Katerina's message.