S. S. Rajamouli

S. S. Rajamouli

Birth : 1973-10-10, Raichur, Karnataka, India

History

S. S. Rajamouli (born Koduri Srisaila Sri Rajamouli) is an Indian film director and screenwriter, known for his works mainly in Telugu cinema. He is known for directing blockbuster films such as Vikramarkudu (2006), Magadheera (2009), Eega (2012) and Baahubali: The Beginning (2015). His other notable works include the sports drama film Sye, the social problem film Vikramarkudu, which was screened at the International Film Festival of India in the mainstream section. The melodrama films Maryada Ramanna, Vikramarkudu and Chhatrapati were remade in various Indian languages, with successful reviews. He has garnered the Star World India, "Entertainer of The Year" in 2012. He has garnered several awards including two National Film Awards, three Filmfare Awards, one state Nandi Awards, and one IIFA Utsavam Awards. In 2015, The first part of the epic historical fiction, Baahubali: The Beginning became the highest grossing Indian film within India,] and became the 2nd highest grossing Indian film globally. It became the first South Indian film to gross over ₹650 crore (US$97 million) worldwide and the first non-Hindi film to gross over ₹100 crore (US$15 million) in the dubbed Hindi version. It is also the highest grossing Telugu film of all time. In 2016, He was honored with the Padma Shri, India's fourth highest civilian honor for his contributions towards the field of Art. Rajamouli's films are often characterized by their epic grandeur, larger-than-life characters, stylized action sequences, and unbridled heroism with historical and mythological references. His films are noted for their integration of CGI with practical effects. With his Baahubali films, he has pioneered the pan-Indian film movement, wherein a film is simultaneously released in multiple Indian languages across the country, and made in a way that appeals to the audience cutting across the linguistic and cultural barriers. He is also credited for expanding the market of Telugu cinema and South Indian cinema into North India and international markets.

Profile

S. S. Rajamouli
S. S. Rajamouli
S. S. Rajamouli
S. S. Rajamouli
S. S. Rajamouli

Movies

Brahmāstra Part One: Shiva
Presenter
The story of Shiva – a young man on the brink of an epic love, with a girl named Isha. But their world is turned upside down when Shiva learns that he has a mysterious connection to the Brahmāstra... and a great power within him that he doesn’t understand just yet - the power of Fire.
K.G.F: Chapter 2
Thanks
The blood-soaked land of Kolar Gold Fields (KGF) has a new overlord now - Rocky, whose name strikes fear in the heart of his foes. His allies look up to Rocky as their Savior, the government sees him as a threat to law and order; enemies are clamoring for revenge and conspiring for his downfall. Bloodier battles and darker days await as Rocky continues on his quest for unchallenged supremacy.
RRR
Self
A fictional history of two legendary revolutionaries' journey away from home before they began fighting for their country in the 1920s.
RRR
Screenplay
A fictional history of two legendary revolutionaries' journey away from home before they began fighting for their country in the 1920s.
RRR
Director
A fictional history of two legendary revolutionaries' journey away from home before they began fighting for their country in the 1920s.
K.G.F: Chapter 1
Thanks
A period drama set in the 1970s, KGF follows the story of a fierce rebel who rises against the brutal oppression in Kolar Gold Fields and becomes the symbol of hope to legions of downtrodden people.
Bāhubali 2: The Conclusion
Screenplay
When Mahendra, the son of Bāhubali, learns about his heritage, he begins to look for answers. His story is juxtaposed with past events that unfolded in the Mahishmati Kingdom.
Bāhubali 2: The Conclusion
Director
When Mahendra, the son of Bāhubali, learns about his heritage, he begins to look for answers. His story is juxtaposed with past events that unfolded in the Mahishmati Kingdom.
Majnu
himself, on the set of Baahubali: The Conclusion
The film is about the romantic life of an assistant director Aditya (Nani) and his relationships with 2 women (Anu Emmanuel and Priya Shri) while he attempts to write a romantic comedy story.
Bollywood and Beyond: A Century of Indian Cinema
Himself
Indian cinema has the largest audience of any art form on the planet. With a population of over a billion, India has recently enjoyed an economic boom and its movie stars are treated like deities. Today their fame stretches across the diaspora, in what has become a truly global industry. As Indian cinema celebrates its centenary, Sanjeev Bhaskar travels across the subcontinent to get under the skin of the Indian movie business as never before. From young hopefuls in the slums of Mumbai to superstars like Kareena Kapoor and Aamir Khan, he meets the stars of the silver screen and the people behind the scenes - legendary producers, directors, musicians and choreographers - exploring the stories behind some of the greatest films ever made.
Bāhubali: The Beginning
Screenplay
The young Shivudu is left as a foundling in a small village by his mother. By the time he’s grown up, it has become apparent that he possesses exceptional gifts. He meets the beautiful warrior princess Avanthika and learns that her queen has been held captive for the last 25 years. Shividu sets off to rescue her, discovering his own origins in the process.
Bāhubali: The Beginning
Spirit Seller (uncredited)
The young Shivudu is left as a foundling in a small village by his mother. By the time he’s grown up, it has become apparent that he possesses exceptional gifts. He meets the beautiful warrior princess Avanthika and learns that her queen has been held captive for the last 25 years. Shividu sets off to rescue her, discovering his own origins in the process.
Bāhubali: The Beginning
Director
The young Shivudu is left as a foundling in a small village by his mother. By the time he’s grown up, it has become apparent that he possesses exceptional gifts. He meets the beautiful warrior princess Avanthika and learns that her queen has been held captive for the last 25 years. Shividu sets off to rescue her, discovering his own origins in the process.
Andala Rakshasi
Producer
Gautham, a wealthy man, falls for a woman named Mithuna only to learn that she loves another man. However, a sudden chain of events changes their lives forever.
Eega
Narrator
Nani is a flower decorator, madly in love with his neighbor Bindhu. He gets killed by the baddie, Sudeep, a powerful businessman. Nani comes back as a housefly to get his revenge.
Eega
Screenplay
Nani is a flower decorator, madly in love with his neighbor Bindhu. He gets killed by the baddie, Sudeep, a powerful businessman. Nani comes back as a housefly to get his revenge.
Eega
Director
Nani is a flower decorator, madly in love with his neighbor Bindhu. He gets killed by the baddie, Sudeep, a powerful businessman. Nani comes back as a housefly to get his revenge.
Rajanna
Stunt Coordinator
The film is set in the Nelakondapalli village of khammam district in Nizam Princely State of Hyderabad of the late 1940s. The feudal society is under the vice-like grip of an aristocratic family and its head, a Dorasani (Shwetha Menon). Mallamma (Baby Annie) is the darling of the village, who is living in perpetual humiliation. They seek solace in her songs. Brought up by Sambayya, an old man, she develops a mysterious attachment to a basil tree which is regarded as holy by the entire village.
Maryada Ramanna
Writer
Ramu returns to his hometown to sell a piece of land he owns and falls in love with a young woman only to find out that her parents want him dead.
Maryada Ramanna
Director
Ramu returns to his hometown to sell a piece of land he owns and falls in love with a young woman only to find out that her parents want him dead.
Magadheera
Screenplay
When Harsha, a bike stunter from Vishakapatnam, accidentally meets Indu, he discovers his warrior life Kala Bhairava in his last birth. The remaining story explains how Indu and Kala Bhairava are connected.
Magadheera
Writer
When Harsha, a bike stunter from Vishakapatnam, accidentally meets Indu, he discovers his warrior life Kala Bhairava in his last birth. The remaining story explains how Indu and Kala Bhairava are connected.
Magadheera
Director
When Harsha, a bike stunter from Vishakapatnam, accidentally meets Indu, he discovers his warrior life Kala Bhairava in his last birth. The remaining story explains how Indu and Kala Bhairava are connected.
Rainbow
Himself
Director Aditya probably made "Rainbow" under the assumption that there would be a golden pot at the end of this one, based of hero Rahul's track record, but sadly that is not the case.
Yamadonga
Writer
Raja, an orphaned thief, dies while helping a gang in kidnapping a wealthy heiress, Mahi, in exchange of money. He then lands in Yamlok and fights with Yama, the god of death, to get his life back.
Yamadonga
Director
Raja, an orphaned thief, dies while helping a gang in kidnapping a wealthy heiress, Mahi, in exchange of money. He then lands in Yamlok and fights with Yama, the god of death, to get his life back.
Vikramarkudu
Screenplay
A thief's life changes after he discovers a little girl who claims he is her father, and what follows is violence after a gang hunting for his lookalike closes in on him.
Vikramarkudu
Director
A thief's life changes after he discovers a little girl who claims he is her father, and what follows is violence after a gang hunting for his lookalike closes in on him.
Chatrapathi
Screenplay
Sivaji and his family are uprooted from their community in Sri Lanka and wind up as bonded labourers in Vishakhapatnam. Like his legendary namesake, he rises up to become the saviour of the oppressed.
Chatrapathi
Director
Sivaji and his family are uprooted from their community in Sri Lanka and wind up as bonded labourers in Vishakhapatnam. Like his legendary namesake, he rises up to become the saviour of the oppressed.
Sye
Voice over and cameo
The story is set in the backdrop of a college that is riven by two groups led by Prithvi and Shashank. Though there is nothing malicious between the groups, they just can't see eye to eye on anything. The only thing common between the two are their abiding passion for rugby. Whenever a problem crops between the two, it is usually settled with a bitter scrum on the rugby field. As it happens, the college land falls into the hands of a local dadha Bikshu Yadav. This is good enough reason for the two groups to forge a common identity and fight for the land. Prithvi and Shashank bury the hatchet and get back the land. This is too much of a bitter pill for the dadha to swallow. And so he dares the students for a rugby match with his own group.
Sye
Screenplay
The story is set in the backdrop of a college that is riven by two groups led by Prithvi and Shashank. Though there is nothing malicious between the groups, they just can't see eye to eye on anything. The only thing common between the two are their abiding passion for rugby. Whenever a problem crops between the two, it is usually settled with a bitter scrum on the rugby field. As it happens, the college land falls into the hands of a local dadha Bikshu Yadav. This is good enough reason for the two groups to forge a common identity and fight for the land. Prithvi and Shashank bury the hatchet and get back the land. This is too much of a bitter pill for the dadha to swallow. And so he dares the students for a rugby match with his own group.
Sye
Director
The story is set in the backdrop of a college that is riven by two groups led by Prithvi and Shashank. Though there is nothing malicious between the groups, they just can't see eye to eye on anything. The only thing common between the two are their abiding passion for rugby. Whenever a problem crops between the two, it is usually settled with a bitter scrum on the rugby field. As it happens, the college land falls into the hands of a local dadha Bikshu Yadav. This is good enough reason for the two groups to forge a common identity and fight for the land. Prithvi and Shashank bury the hatchet and get back the land. This is too much of a bitter pill for the dadha to swallow. And so he dares the students for a rugby match with his own group.
Simhadri
Screenplay
The film revolves around Simhadri who grows up under Ram Bhupal Varma. Simhadri takes care of Indhu, who happens to be the granddaughter of Ram Bhupal Varma. It is then revealed that Simhadri was earlier as a goon called Singamalai in Kerala who gains enmity with Bhai Saab.
Simhadri
Director
The film revolves around Simhadri who grows up under Ram Bhupal Varma. Simhadri takes care of Indhu, who happens to be the granddaughter of Ram Bhupal Varma. It is then revealed that Simhadri was earlier as a goon called Singamalai in Kerala who gains enmity with Bhai Saab.
Student No. 1
Director
Aditya joins law college as per his father's wishes though he wanted to be an engineer. He faces many problems while trying to reform unruly students along with dealing with his terrifying past.
Baahubali 3
Director
SSMB 29
Director
Upcoming movie from S. S. Rajamouli starring Mahesh Babu, touted to be an Indiana Jones-esque globe-trotting action adventure.