Tia Cristina
Monja
A movie based on the Spanish comic strip of the same name.
Manifestant 8
Madrona
Sor Paulina
In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later
A young woman wins 200 million pesetas at the 'quiniela' football pool with 14 successfull 'aciertos' and begins to help everybody with the fortune.
Colometa is an average housewife with two children to care for in the late 1930's, as the Spanish Civil War is starting and her husband goes off to fight. She had been an ordinary woman working in a shop when she met the lively carpenter who married her, and their life together was without major problems. But now she is forced to raise her children under straitened circumstances, and after her husband dies, her life undergoes another major change as she marries for the second time. Underneath Colometa's acquiescent, forebearing exterior must lie just a few discontents, a few unrealized dreams - but they never surface as she blithely moves from one episode in her life to another.
The service staff of a luxurious Catalan farmhouse has prepared a large banquet because the arrival of the guests is expected. Everything is ready, but nobody arrives. Then, the housekeeper and the other servants will occupy for a few moments the place of their masters and, like them, they will behave despotically.
La hermana de Luis
Luys Forest is a writer with a political past Falangist, who lives isolated in a coastal town, writing his memoirs (actually rewriting and adapting his autobiography with the times), and brooding over his failed marriage. His sister is worried about him and decides to send his daughter Mariana on how it is. Mariana comes to town and shake the world of Luys stable with free and uninhibited personality. Soon begins a game of seduction that ends up exposing the intellectual game of Luys.
