Natali Yeres

Returning to Istanbul with her husband after 30 years, Reyhan loses her sense of smell and leaves home in despair. Working in a hotel, she meets someone new.

Can witnesses a murder in a small town. The police don't allow him to leave after his testimony. On the other hand, a quarantine is declared due to rabid dogs. The whole town turns into purgatory with no exit is almost at the edge of insanity.

A couple moves from the country to istanbul to get proper schooling for their son, who has Down syndrome. However, the house they move to will be demolished in a number of months, the father can't get a job and has to resort to begging. Meanwhile, the stipend for their son's disability they'd thought they'd get when moving to the city and which they were depending on to live and pay for his school, is suddenly in doubt.

Nihat, an introverted employee in a hospital cafeteria, is confused by Ayşe, a mysterious woman who just started working there as a dishwasher. Her obvious seductive approaches embarrass Nihat and make him nervous at the same time. Despite the rumors about her husband having been sentenced to many years in jail, Nihat reluctantly accepts Ayşe’s invitation to dinner at her house. This is the beginning of a strange and dangerous liaison. When Nihat discovers a picture of the woman’s husband and realizes that he looks astoundingly like him, the relation becomes even more toxic.

Sükran's son Veysel works in a factory. Suffering as a result of her husband's political actions, she tries to save her son from the same fate.

The mass media and the ideologies oblige the individual to live the dictated artificiality. The film tries to interrogate the meaning of individual and the anxietes of the individual.

The mass media and the ideologies oblige the individual to live the dictated artificiality. The film tries to interrogate the meaning of individual and the anxietes of the individual.