Liliya May

'I want to make a film about women' is a speculative documentary love letter to Russian constructivist women. The new Soviet Union of the 1920s championed equality for women and great innovation in the creative arts. Until it didn't. Looking back at that time, history remembers the men who were celebrated and then shut down. But women were there, too, and they were influential, powerful and brilliant. 'I want to make a film about women' gazes in to a creative communal kitchen and watches these women transform it into a workshop, then a stage set, then a film, all the while juggling noisy men and the wolves of history. It imagines what the revolutionary women artists of the 1920s said, what they did, and what they might have created had it not been for Stalin's suppression.

The agents of the Federal Security Service of Russia and the US Secret Service are forced to work together to prevent a full-scale international crisis.

Vadim is an ordinary office worker with no prospects, desperate to somehow change his boring life. One afternoon, while pondering his life in a pub, a mysterious bartender offers Vadik a cocktail. Upon drinking this cocktail, Vadik's world is instantly transformed beyond recognition. He is now successful, attractive and interesting. However, Vadik needs to learn how to sustain this new mirage, once the cocktails run out.

For 27-year-old Ben, life couldn't be better. A well paid job, friends, parties, girls and nothing to tie him down. But when he is invited back to his old school to join several other ex-students including Alex and Jim in talking about their personal achievements, something goes wrong.

A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.

Is life perfect? It happens. When the spouses have strong, stable relations, connected not only by marriage, but also by the joint business that Tatiana received from her father, and her husband Mark manages all the affairs of the late father-in-law construction company. But if you look into the keyhole and take a closer look, the ideal will suddenly seem imperfect, and a hint of hatred will appear in love and decency. What can break a strong family bond? Passion or deceit? Treason or thirst for vengeance? And if high feelings and low human passions mix up, intertwine and drag on with a strong knot, which can be unleashed only by death?

A film that delves into one of Australia's Worst Civil and Human rights claims. Sue became a ward of the State as a baby and went on to be admitted into the worst mental asylums in the country.