Screenplay
Arah dreams of a better life different from the life she knows in Bukidnon. Ranches everywhere are closing one by one. The glory her hometown once knew was slowly disappearing in favour of life abroad, particularly in Australia. Arah believes this too. Australia will save them from poverty. But Migo does not share this belief. He believes that Bukidnon’s glory will return if only people didn’t leave. Migo is Arah’s first love.
Writer
Shot in Oriental Mindoro, Philippines, Brutus follows two kids smuggling logs from the mountains. It is about the journey that opens their eyes to a 'world' that is ruled by greed and torn by the political conflicts.
Writer
Pam meets Rico an Ivatan, and decides to leave her stressful life in the city to follow him to Batanes to meet his parents Boy and Lydia and marry him. Pam tries to adapt to the Ivatan way of life but hates the sea that Rico loves so much. Her hatred for the sea intensifies when her husband Rico dies in a fishing accident. Pam is devastated and decides to go back to Manila. But when she sensed that the sea was laughing at her failure, she chose to stay in Batanes to be with Rico's family. In one of her trips to the sea, she accidentally meets Kao Ken Chu, a Taiwanese, whom she rescues during a storm. As they spend time together, the two eventually fall for each other despite language barriers and cultural differences.
Screenplay
Inside the Rabadon house, nobody talks. Lives are kept to themselves; problems are not shared; questions are not entertained. The people living inside it have become used to leaving everything unstirred especially Margaret, the mother of the home. Margaret's desire for cleanliness and order alienates her from her family. She cannot confront the problems of her life and so she confronts dirty dishes, ugly stains, and disorderly appliances. To get to know her family, she snoops around - entering rooms, opening cabinets, reading journals she is not supposed to read. But everything changes when a journal entry of her daughter's makes her unravel, stirring the unstirred life that she has held on to for years.
Director
Inside the Rabadon house, nobody talks. Lives are kept to themselves; problems are not shared; questions are not entertained. The people living inside it have become used to leaving everything unstirred especially Margaret, the mother of the home. Margaret's desire for cleanliness and order alienates her from her family. She cannot confront the problems of her life and so she confronts dirty dishes, ugly stains, and disorderly appliances. To get to know her family, she snoops around - entering rooms, opening cabinets, reading journals she is not supposed to read. But everything changes when a journal entry of her daughter's makes her unravel, stirring the unstirred life that she has held on to for years.
Screenplay
Kikay and Kiko grew up together in the province and built a strong friendship. But Kikay has to leave her best friend to live and study in Manila. She tries to fit in her new environment in the city but she ends up being abused by the people she thought as her new friends. Kikay returns to the province with a wounded self-esteem. There, she realizes how much Kiko loves her. Feeling unworthy of his love, Kikay drives Kiko away. But will she ever find the courage to come face to face with her own problems and admit her love for him?
