Damián García

Movies

I'm No Longer Here
Cinematography
In Monterrey, Mexico, a young street gang spends their days dancing to slowed-down cumbia and attending parties. After a mix-up with a local cartel, their leader is forced to migrate to the U.S. but quickly longs to return home.
Jungleland
Director of Photography
Stanley manages his boxer brother Lion but when a devastating loss in the ring leaves the pair in debt, an opportunity to recoup the cash leads to a series of misadventures that threaten to break the bond between them.
Museo
Director of Photography
Mexico, 1985. Juan and Wilson, two perennial Veterinary students, perpetrate an audacious heist in the National Museum of Anthropology, running away with a loot of more than hundred invaluable pieces of Mayan art, unaware of the consequences of their outrageous act.
Green
Cinematography
In Alonso Ruizpalacios’ bracing and stylish film, security guards in an armoured van try to manage the stress that comes from being close to a pile of cash in Mexico City. The team’s stability is imperilled when one member nears his boiling point.
Desierto
Director of Photography
A group of Mexican emigrants attempts to cross the Mexican-US border. What begins as a hopeful journey becomes a harrowing, bloody and primal fight for survival when a deranged, rifle-toting vigilante and his loyal Belgian Malinois dog chase the group of unarmed men and women through the treacherous borderland. In the harsh, unforgiving desert terrain, the odds are stacked firmly against them as they discover there’s nowhere to hide from the unrelenting, merciless killer.
Güeros
Director of Photography
Set amidst the 1999 student strikes in Mexico City, this coming-of-age tale finds two brothers venturing through the city in a sentimental search for an aging legendary musician. Shot in black-and-white, Güeros brims with youthful exuberance.
The Precocious and Brief Life of Sabina Rivas
Director of Photography
In the Mexican-Guatemalan border, young teenage lovers, Sabina and Jovany, both Hondurans, accidentally meet again after some years without seeing each other. She plans to get to the United States and dreams about being a great singer; he commits all the required atrocities to be accepted by the gang: la Mara Salvatrucha. Sabina and Jovany crashed with the most adverse conditions at the border like white slavery, the Mexican and American migratory agents Burrona and Patrick, the brothel matron Doña Lita, Don Nico the Mexican Consul in Tecún Umán, the drug trafficking networks, the army and la Mara Salvatrucha.
El Infierno
Director of Photography
Benjamin Garcia, Benny is deported from the United States. Back home and against a bleak picture, Benny gets involved in the drug business, in which he has for the first time in his life, a spectacular rise surrounded by money, women, violence and fun. But very soon he will discover that criminal life does not always keep its promises.
Chicogrande
Director of Photography
Butch Fenton, major of American army, comes for Villa's head and he's gonna get it. The "Punitive Expedition" proved to be the last major campaign of the U.S. Cavalry. Mexican revolution is the first social movement of the century.
Café Paraíso
Director of Photography
Gallo rehearses his heroic resignation, with which he hopes to regain his youth, his dignity and even a love.
More Than Anything in the World
Director of Photography
The relationship between beautiful Emilia (Elizabeth Cervantes) and her imaginative young daughter, Alicia, is tested in this understated Mexican drama. Disoriented after moving to a new apartment and left to herself when her mother starts bringing men home, Alicia takes refuge in dreams that soon become nightmares, especially after she begins to fear that her mom has become possessed by the vampirish man next door. With a keen eye for the rhythms and struggles of contemporary Mexican family life, this film illuminates the secret worlds of lonely children while never straying from its true subject: the uncommon love between a single mother and her child.
Godot
Director of Photography
Godot the cowboy knows that someone is waiting for him, but as he tries to reach them, he will get involved in a series of events that could change his destiny. Meanwhile Vladimir and Estragón continue waiting for Godot…
Llaneras
Cinematography
A group of women get together every Saturday to play soccer in a neighborhood on the southern end of Mexico City. Their accounts give us a sense of their relationships in and outside the field. Soccer allows them to express their joys, dreams, and frustrations, and to remain close. For Mayra and Angélica, soccer gives meaning to their lives.