Penny Layden

When a young soldier appears, his hope of escape comes with suspicion. And as an old enemy also emerges, he is faced with an even greater temptation: revenge.

In a small English town, the winds blow cold, and the old streets are looking down at heel. Lost in memories of long ago, Barbara watches the world from her living room window, as it keeps moving and changing.

In a small English town, the winds blow cold, and the old streets are looking down at heel. Lost in memories of long ago, Barbara watches the world from her living room window, as it keeps moving and changing.

In a small English town, the winds blow cold, and the old streets are looking down at heel. Lost in memories of long ago, Barbara watches the world from her living room window, as it keeps moving and changing.

In a small English town, the winds blow cold, and the old streets are looking down at heel. Lost in memories of long ago, Barbara watches the world from her living room window, as it keeps moving and changing.

It’s the height of lockdown, and Beth has asked her older sisters for a video call. She’s expecting a functional chat about how to split mum’s shopping bill, but the conversation takes a darker turn. A hyperrealistic family drama devised remotely through improvisation.

The ruined aftermath of a bloody civil war. Ruthlessly fighting to survive, the Macbeths are propelled towards the crown by forces of elemental darkness. Shakespeare’s most intense and terrifying tragedy, directed by Rufus Norris, sees Rory Kinnear and Anne-Marie Duff return to the National Theatre to play Macbeth and Lady Macbeth.

A powerful play by Carol Ann Duffy, using the words of people from across a divide Britain. Originally presented at the National Theatre and now reworked for the screen, Britannia convenes a meeting to listen to her people and consider whether there can ever be a 'United Kingdom'.

Everyman is successful, popular and riding high when Death comes calling. He is forced to abandon the life he has built and embark on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out. One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, it now explodes onto the stage in a startling production with words by Carol Ann Duffy, Poet Laureate, and movement by Javier De Frutos.

Three suburban English families' lives intertwine with tragic consequences.

N has been a day patient at north London's Dorothy Fish day hospital for 13 years - her ambition is never to leave. Then she meets glamourous new patient Poppy Shakespeare, an ad agency receptionist convinced she's not mad.