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Heiko, 29, is a fun-loving dance teacher from Berlin. For the past seven years he has battled with a fatal illness. Just when his family and his friends had begun to get used to Heiko’s continued survival in spite of all the prognoses, he receives the diagnosis that he does not have much longer to live. He decides to return to his parents’ house to die. But even now, Heiko and especially his father, Jürgen, refuse to give up hoping for a miracle.
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Casey, the new flatmate, was everything Alessandro was not. He was energetic, adventurous and charismatic. Alessandro started to document this strange creature with his video camera, so different from himself. They were in their early twenties and living in Rome...every experience together felt new and exciting. But when Casey moved to the Middle East to work as a TV journalist, Alessandro's world was opened up even more. Drawn from 15 years of footage, The Things We Keep is an intimate look at friendship, a celebration of people's common humanity and an invitation to break out of one’s comfort zone.
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The thin line between happiness and disaster: Jakob cancels a business trip to New York City because he finds out his ex-girlfriend is coming to a party in Berlin on that day: 9/11/2001. His friend Hans goes to the US instead.
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18 years after the last film, Andreas Voigt returns to the protagonists of his Leipzig films.
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Running away on the highway, Maria is alone in her roaring SUV. Behind her, fire and a case full of money. In front of her, the hopeless vastness of the motorway. Only a day before she was a caring mother, a loving wife, a responsible daughter. Today she has gone rogue.
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Italians in Berlin are a special breed. Thousands come every year to stay - and six years ago, filmmaker Alessandro was one of them. An old saying professes that after 6 years in a foreign country, you finally realize what you really are: an immigrant. You feel disoriented and homesick. Alessandro's quest for other Italians in Berlin evolves into a hilarious real life comedy
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Brindisi, Italy: a focal point in cigarette smuggling. The director returns to her hometown to see what's left of the past and what lies in store for the future.
