Just before wowing international critics and moviegoers with his adventure romp Fanfan la Tulipe, director Christian-Jaque dashed off the lampoonish Barbe-Bleue. Ostensibly the story of the famed wife-killing potentate Bluebeard (Pierre Brasseur), this lighthearted costumer begins as the title character is poised to march down the matrimonial aisle for the eighth time. Barbe-Bleue's newest spouse Aline (Cécile Aubry) is kept in line by her husband's claims of murdering her predecessors. But when Aline opens the famous locked door to the equally famous hidden room, both she and the audience are in for quite a surprise. The frivolous nature of Barbe-Bleue is underlined by its pleasing utilization of the French Gezacolor process.
For the corpulent nobleman Sir John Falstaff, the inn in the small English town of Windsor is the best of all places. Here he can indulge in excessive dining and intemperate drinking, as well as swagger and boast about his adventures, particularly those of an amorous nature. At present, he has designs on the two young women, Mistress Reich and Fluth, who, in turn, lead the paunchy protagonist mightily by the nose.
A story about a family after the Second World War. The petty bourgeois cashier Karl Weber of Berlin observes from a distance how his son Ernst participates in the building of a new socialist society. Karl does not understand Ernst's visions, instead he confides in his other son Harry. However, Harry becomes involved in illicit business and Karl quickly realizes that it would be best to join his son Ernst in the citizen-owned factory.
