Editor
Hans has killed the dog of Firmin, a shepherd. Wild with rage, Firmin kidnaps Elsi, Hans' fiancée and locks her up at his home. Hans, a peddler, vows to find the missing girl. This is what he does and he manages, with the help of Mânu, the village idiot, to give Elsi a letter. On seeing her, the changeling falls in love at first sight with the young woman. Elsi soon realizes that Mânu can become her instrument of vengeance.
Producer
A lieutenant of the French navy, ready to kill himself in despair, renounced his project after spending a night with a beautiful stranger. He ends up finding her, the heiress princess Lystrie. The German version (Königin einer Nacht) was an operetta, the Italian version (La donna di una notte) was a comedy, while the French version (La Femme d'une nuit) was a dramatic film.
Director
Marquis Sévéro, a rich, lazy Parisian, wants to divorce his wife so that he can marry his own goddaughter Denise. But Denise herself loves André Berval, an engineer employed by the marquis. Filled with jealousy, the marquis sends André to the Antilles, to prospect some land he has just acquired. He promises André that he can marry Denise if he is successful in the tropics, but he then writes to Alvarez, his manager at the site, asking him to prevent André from ever returning to France. The brutal Alvarez forms an instant hatred for André when the engineer breaks up Alvarez's attempt to rape Papitou, a beautiful native girl. Papitou becomes devoted to André, and protects him against Alvarez's schemes. But she faces a crisis herself when she learns that André plans to marry Denise.
Director
Assistant Director
A biopic of Napoleon Bonaparte, tracing the Corsican's career from his schooldays (where a snowball fight is staged like a military campaign) to his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797. Originally intended to be the first of six films, director Abel Gance realized the full project would be nigh impossible, and never raised the money to complete the other five. The film's legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.
Editor
