Pilar Padilla

Pilar Padilla

Profile

Pilar Padilla

Movies

The Reasons of the Heart
Jaquie
In a reinterpretation of Madame Bovary set on contemporary Mexico City, Emilia, a middle class housewife, tries to deal with the monotony of her life. One day, she loses the two things which makes everything beareable: her lover and her credit card.
Tear This Heart Out
Sra. González
A young girl recounts her girlhood and eventual marriage to a general of the Mexican revolution. by one of the most outstanding writers of the new feminist Mexican literature, it is at once a haunting novel of one woman's life and a powerful account of post-revolutionary Mexico from a female perspective.
Used Parts
Ivan, a 14-year old boy, lives with his uncle Jaime, a mediocre dealer of used car parts. Both of them dream with a better life and are stashing away their money in order to emigrate ilegally to Chicago shortly. When Jaime realizes that he needs much more money than he expected in order to pay the "Coyote" that will help them cross the border, he decides to introduce his nephew into the world of car-part theft. Ivan learns quickly the know-how of his new trade and convinces Efrain, his best friend, to help him. The kids enjoy themselves together and carry out Jaime's orders skilfully until Ivan realizes that his uncle's intentions for the trip have changed since they first made their plans.
10:15
Ken and Rosa
Herself
Documentary about Ken Loach and Rosa Ayala, a janitor who worked as an extra in the picture 'Bread and Roses'
In the Time of the Butterflies
Dedé Mirabal
Based on the book by Julia Alvarez. Three sisters become activists during the Dominican Republic's Trujillo regime when members of their family are killed by the government's troops.
Bread and Roses
Maya
Maya is a quick-witted young woman who comes over the Mexican border without papers and makes her way to the LA home of her older sister Rosa. Rosa gets Maya a job as a janitor: a non-union janitorial service has the contract, the foul-mouthed supervisor can fire workers on a whim, and the service-workers' union has assigned organizer Sam Shapiro to bring its "justice for janitors" campaign to the building. Sam finds Maya a willing listener, she's also attracted to him. Rosa resists, she has an ailing husband to consider. The workers try for public support; management intimidates workers to divide and conquer. Rosa and Maya as well as workers and management may be set to collide.
Ang Lumang Simbahan