Because they could no longer stand the xenophobic comments and behavior of their neighbors, Véronique and Sylvain Marchand, parents of a little girl and members of the Stop Racism organization, went into exile in a quiet suburban town, where they bought a house, the villa "Mon rêve". Soon after, the Dialo family, friendly Africans, moved into the adjoining house. At first, the two families get along perfectly. The only problem was that the Dialos organized many parties, which often ended late at night. The patience and understanding of the Marchands only delay the inevitable conflict.
Antonio returned to Portugal ten years ago with his lovely (and quite thin) French wife. She has since become quite a hefty specimen of womanhood, and his eye has lately been wandering to others. When his strong-tempered wife catches him with another woman (their neighbor), she bonks him on the head. In order to avoid further embarrassment, he pretends this has induced amnesia. He does so well in his pretense that his worried wife calls his old Parisian buddies (the rest of the Charlots) and asks them to come and help revive his memory.
A clique of four young teachers at a high school looks critically at their colleagues. To avoid falling in the same routine, they bring new ideas into the school lessons and play little games and pranks in their spare time -- sometimes get even more childish than their pupils. When they get opposition from the other teachers, they play tricks to get rid of them.
La reine de France meurt en couche. Elle met au monde un petite fille prénommée Blanche-neige. Le roi deçu de n'avoir pas un fils est résolu à faire disparaître sa progéniture mais c'est sans compter sur la protection de nombreux personnages de la littérature enfantine : les fées, Tarzan, Robin des Bois ou d'autres encore...
After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies -- the very building blocks of love.
This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.
