Forrest Matthews

The fastest gun in the West tries to escape his reputation.

Produced, written, and directed by the veteran Elmer Clifton (here for obscure reasons billed Elmer S. Pond), Red Rock Outlaw had the audacity to feature its novice star, Bob Gilbert (who also wrote the original story), as identical cousins -- one good, the other bad. The good Gilbert, a rancher, enjoys a campfire singalong with the members of s stranded girls' band, falling in love with Carolina (Ione Nixon), a bleach-blonde looker, along the way. The bad cousin, meanwhile, is scheming with neighboring rancher Jim Martin (Forrest Mathews) to have nice Bob killed so they can combine their properties. Produced in 16 mm back in 1946 or 1947 and released on States' Rights by Screen Features, Inc., Red Rock Outlaw was merely an excuse to showcase a series of country & western specialty acts, including Wanda Cantlon, who, according to an onscreen credit, introduced the song "Alimony" and supplied choreography.

Marshals Lash and Fuzzy are sent to get the goods on Duce Rago. To join Rago's gang, Lash decides to pose as an outlaw by wearing the known belt buckle of a notorious outlaw.

Joe is scheduled for the big fight as usual. This one has more fight sequences than plot.

Johnny Mack (Johnny Mack Brown ) is hired by Lois Benton (Virginia Carroll) as a hand on her ranch, formerly run by Daley, who is in jail on a payroll theft charge. Despite the warning for foreman Rusty Steele (Raymond Hatton), Johnny sees real estate agent Kirby (Bill Kennedy), who wants to buy the Benton ranch. When Johnny refuses to align with Kirby, he is forced to knock out henchman Moran (Marshall Reed) in a fist fight. Rusty finds on henchman Harris (Forrest Matthews), when he is caught spying on the ranch, half a map revealing the location of the missing payroll.

A Pony Express rider discovers some mysterious goings-on during the construction of a telegraph line. When a murder is committed, he is blamed for it.

Filmed back-to-back with three other Sunset Carson vehicles in 1947, this Yucca Pictures Western starred the former Republic cowboy as a Texas Ranger chasing a gang of rustlers into the notorious outlaw territory of Three Corners. Attempting to sabotage the proposed annexation of the territory, desperado Bart Dawson (Stephen Keyes) and his men ambush Sunset and his young trainee Jed (Al Terry). The villains, who have been terrorizing pretty trading post operator Helen Bennett (Patricia Starling), are eventually defeated by the rangers in a violent gun battle and the planned annexation takes place on schedule. For all intents and purposes, the handsome but wooden Sunset Carson ended his screen career with this series of extremely low-budget Westerns, originally filmed in 16mm and released by that dumping ground of Poverty Row flotsam, Astor Pictures.

Caxton has broken out of prison and Eddie has been sent to bring him in. Caxton is known by the polka dot band on his hat and Eddie has Soapy wear one like it. This gets Soapy arrested as soon as he rides into town but it leads Eddie to Varney and he realizes Varney will lead him to Caxton.

All-American singing cowboy Jimmy Wakely went below the border in this musical Western from the assembly line at Monogram, performing such ditties as Adios Mariquita Linda, Rose of the Rancho, the inevitable La Cucaracha, and his own title tune. As always, Jimmy Wakely plays himself, this time heading for Don Roberto Lopez's (Julian Rivero) ranch to track down a missing gold shipment.

When Butch Taggart escapes prison, the Marshal sends Lightning Morgan to find him and his hidden gold. He finds the map to the gold on Taggart's boot. Joe Laikon and his men are also after the gold and they overpower Morgan, get the map, and head for the treasure. But Morgan and Tod Grant are soon on their trail