Producer
Ella has a reputation for two things: being a rebellious punk and the fastest gun around. When corrupt officials try to cover up her father's murder, she cuts a swath through the weird anachronistic underbelly of her small island town.
Writer
Ella has a reputation for two things: being a rebellious punk and the fastest gun around. When corrupt officials try to cover up her father's murder, she cuts a swath through the weird anachronistic underbelly of her small island town.
Director
Ella has a reputation for two things: being a rebellious punk and the fastest gun around. When corrupt officials try to cover up her father's murder, she cuts a swath through the weird anachronistic underbelly of her small island town.
Bertrand (segment "Bad Eggs")
Thirty-one twisted tales made from a collective of genre loving filmmakers, Fun Size Horror: Volume One aims to chill and delight horror fans. From classic slashers and creature features, to horror-comedy and hauntings all made into bite size pieces. Like a bag of Halloween candy after a night of trick or treating, Fun Size Horror: Volume One is filled with the unexpected and not without the threat of the occasional razor blade. Which leaves only one question: Trick or treat?
Director
Thirty-one twisted tales made from a collective of genre loving filmmakers, Fun Size Horror: Volume One aims to chill and delight horror fans. From classic slashers and creature features, to horror-comedy and hauntings all made into bite size pieces. Like a bag of Halloween candy after a night of trick or treating, Fun Size Horror: Volume One is filled with the unexpected and not without the threat of the occasional razor blade. Which leaves only one question: Trick or treat?
Writer
When a man breaks into a family's home he learns that he's not the only monster living in the shadows.
Director
When a man breaks into a family's home he learns that he's not the only monster living in the shadows.
Costume Design
An intimate portrait of Brooklyn-based electronic rock band LCD Soundsystem's then-final live show on April 2, 2011, capturing both the exuberant, three-hour farewell concert at New York City's Madison Square Garden and frontman James Murphy's introspective 48 hours surrounding it.
Art Direction
Jim doesn't want to hire anyone but his wife, Frank doesn't want to work for anyone but himself, but fate is pulling the strings to bring them together.
