Screenplay
Three British teenage girls go on a rites-of-passage holiday—drinking, clubbing and hooking up, in what should be the best summer of their lives.
Director
Three British teenage girls go on a rites-of-passage holiday—drinking, clubbing and hooking up, in what should be the best summer of their lives.
Director of Photography
Georgie is a dreamy 12-year-old girl who lives happily alone in her London flat, filling it with magic. But when her estranged father turns up out of nowhere, Georgie is forced to confront reality.
Cinematography
Ray’s estate is being bulldozed. On the way to a fireworks night, Ray and her daughter take a detour through the new development that is being built in its place.
Director of Photography
A woman's morning jog takes a dark turn.
Director of Photography
Set on a night out, UK rock band Wolf Alice decided to bring the music of their album Blue Weekend to life with this film.
Director of Photography
A 15-minute short about squatting in London, the film sees Lebon’s signature melding of cut-and-paste graphics and animation meet disarmingly intimate camera work. Told from the perspective of both the squatter and the squatted, it explores unconventional choices and the moral grey areas found in ownership, public and private living, family and community.
Cinematography
Returning to the London council house he grew up in after a non-acrimonious divorce, Emeka's caught between worlds - left wondering how to belong.
Screenplay
The pandemic crawls on and Aisha shelters in her flat. Doorstep visits from friends and family mark the passing weeks as Aisha struggles with how to tell them what's happening to her.
Director
The pandemic crawls on and Aisha shelters in her flat. Doorstep visits from friends and family mark the passing weeks as Aisha struggles with how to tell them what's happening to her.
Director of Photography
Unable to afford proper menstrual products, Chloe is constantly faced with anxiety and humiliation; this is not the first time this has happened and it won’t be the last. 'Absent' is based on multiple true stories and made in association with Freedom4girls. It aims to raise awareness around period poverty in the UK.
Cinematography
As students return to universities around the world, four British-Somali students talk about navigating one of Britain's most elite institutions: Cambridge University. Their identity is rooted in Somalinimo ('the essence of being Somali') and in this love letter to Somali culture, blackness, and Islam, they reflect on both belonging and marginalization. The women discuss conflicts with their parents, the sense of solidarity they have built at Cambridge, and the legacy they are creating for the next generation of British-Somalis. They give new meaning to an old Somali proverb: 'Clothing that is not yours cannot shelter you from the cold.'
Writer
In the aftermath of an attack, Amy is left voiceless, trapped in a whirlwind of incompetence. She must find a way to confront what has happened, in order to save what matters to her most.
Director
In the aftermath of an attack, Amy is left voiceless, trapped in a whirlwind of incompetence. She must find a way to confront what has happened, in order to save what matters to her most.
Director of Photography
A woman and her angry mother travel together to the execution of a man they never met.
Director of Photography
Tam gets on the first tube home, plugs himself into his phone and begins reliving his night out via social media stories.
Director of Photography
A teenage girl with autism and her sister try to come to terms with their grief after the death of their younger sister.
Cinematography
A celebration of self-pleasure and the joys of objectophilia.
Director of Photography
What is daily life like for those who are growing up in the outskirts? How is the future being considered? With a sharp sense of observation, Arantxa Hernández Barthe
sketches the portrait of a deprived district in the north of England through its teenagers–who spend their time roaming the streets. An incisive contemporary fresco, full of hope.
Director of Photography
A graffiti artist in his early 20s, begins a 3½ year prison sentence for vandalism. He must attempt to cope with the struggles of his new life on the inside: sharing a cell with an aggressive murderer, being moved to high security, living 23 hours a day alone. An unlikely allay soon teaches him how to survive. Questions then begin to arise. Who can he trust? Will he ever find solace?
