Patrick Kaplin

Movies

My Indian Name
Director of Photography
My “Indian” Name is a one-hour documentary that takes a look at how having their traditional names stripped away from them has impacted Indigenous peoples. Without their original names, people are often left trying to find how they fit in this world. Luckily today, steps are being taken to reclaim their basic right to their true names.
Rustic Oracle
Director of Photography
Set in the late 90s, Rustic Oracle is a dramatic feature about Ivy, an 8-year-old girl trying to understand what happened to her big sister who has vanished from their small Mohawk community. With minimal clues, Ivy and her mother Susan embark on an unwelcome journey to find Heather which will ultimately bring the pair closer together despite challenging circumstances. Behind the story of desperation, told through the eyes of a child, lies one of hope, growth, awakening and love.
Le Dep
Cinematography
A a psychological drama about Lydia, a young Innu woman who works at her father’s convenience store in a small First Nations community in rural Quebec. One night, as she prepares to close up shop, a masked robber enters the store and holds her at gunpoint. This traumatic experience becomes even more troubling when Lydia recognizes her assailant. Before long, she will have to make a decision that will forever change the course of her life.
The Day
Daily Grip
Open war against humanity rages. For five survivors – lost and on the run – the pursuit is relentless, the bullets are dwindling and the battle is everywhere. This is a 24-hour look into their lives.
Last Call Indian
Assistant Editor
This documentary takes a look at the reality that faces a last generation status Indian as she tries to hold on to her culture after the recent passing of her main native reference, her Grand-father. « Because of the Indian Act I am forced into letting go of who I am and accepting that I am probably the last Indian in my family lineage. Although I always had uncertainties and questions about my true belonging to the Mohawk culture and my ties to my community, I've never felt as culturally empty as I do now. Even if I always knew that I was a last generation Indian, I never felt that I needed to justify or explain who I was because my Grand-father was Mohawk, which in turn granted me that right. With his death, my heart and my roots seem to have slipped further away. » Last Call Indian begins where the life of Morris Bonspille ends.