Sara Edwards

Movies

Bromley: Light After Dark
Supervising Editor
David Bromley found that art appeased the voices in his head and helped him find beauty in the world. So he made the life-changing decision to commit his whole being to something meaningful. Light after Dark takes us into the world of this prominent Australian artist. With intimate access, we peel away the layers of anxiety, phobias and suicide survival, whilst embracing the humour, energy, and love that is ever-present in the Bromley world. David’s journey is not complete without his wife Yuge and it’s through this powerful partnership that we witness firsthand the fragility of David’s world and state of mind. As the Bromley’s live their authentic lives, interviews with friends, critics and musicians add perspectives and insight on creative process, mental health, and commercialisation of art.
Suzi Q
Editor
Story of trailblazing American rock singer-songwriter Suzi Quatro, who helped redefine the role of women in rock 'n' roll when she broke out in 1973.
Finding the Line
Editor
A film about fear; its paralysing grip on humans and how it affects our decision-making. Olympian and X Games Slopestyle champion Anna Segal and her Freeride World Tour, big mountain skiing sister, Nat Segal, use their skiing to understand fear and how it manifests in the two siblings’ lives.
Electric Boogaloo: The Wild, Untold Story of Cannon Films
Editor
A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.
Machete Maidens Unleashed!
Editor
In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.
Not Quite Hollywood
Editor
As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.