Grandmother
What could be a beautiful fairy tale for some - boy meets girl - could also be the beginning of a horror film for Faruk. The young man is crushed between the dark world of his criminal cousins in Sarajevo and the discovery of love. The film powerfully visualises and contrasts a harshness and tenderness experienced and dreamed.
Old Lady
Since Zlatan fled the war in former Yugoslavia, his contact with his homeland has only consisted of him regularly sending money to his old aunt who is the only surviving relative there. Now his adult daughter is set on visiting Sarajevo (Zlatan’s hometown) together with him in order to walk the streets of his youth and hear his story. Despite initial unwillingness, Zlatan lets himself be persuaded and the reunion with the home country brings both absurd surprises and secrets from the past.
Hospital Receptionist
Sabina, a divorced mother of two small children, falls in love with an old friend from the Bosnian war. The two plan to marry, but things go terribly wrong.
Gospođa 1
Family Susic lives everyday Bosnian story. Father Muhamed (63) is employed in a reputable company; mother Marija (60) is retired. Son Sasa (35), who spent the war in Army of Bosnia and Herzegovina, lives with his parents, while their daughter Senada (40) lives in Slovenia. Their life begins to fall apart because of father's dissatisfaction after his company is sold on the stock exchange, Sasa's negligent attitude towards work and family, Marija's breast cancer diagnose. When problems begin to line up Muhamed and Sasa realize that actually only family is important, that it is man's last oasis
Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.
Nana
The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.
A young journalist is sent to a small Bosnian town to interview people on happiness. He mixes up with local affair and has a romance with a student. He gets a shock when he finds out that he is going to be important due to childhood mumps.
