Editor
After a long period of isolation, Antonin rediscovers the world in a bird shelter where, rocked by the noise of planes, troubled souls are saved just as much as the birds.
Screenplay
After a long period of isolation, Antonin rediscovers the world in a bird shelter where, rocked by the noise of planes, troubled souls are saved just as much as the birds.
Director of Photography
After a long period of isolation, Antonin rediscovers the world in a bird shelter where, rocked by the noise of planes, troubled souls are saved just as much as the birds.
Director
After a long period of isolation, Antonin rediscovers the world in a bird shelter where, rocked by the noise of planes, troubled souls are saved just as much as the birds.
Editor
'The Temptation of Saint Anthony' is a triptych by the Dutch painter Hieronymus Bosch, exhibited in the National Museum of Ancient Art in Lisbon. In a visionary manner, it reproduces the temptations of the holy man in the desert by playing with the religious allegory, the mystical symbols of his age and the popular taste for illustration. More than a real image, it is a mental image. This mental image, which transforms very quickly into imagination, is therefore the subject of 'Anthony, the Invisible One', in which a guide presents the famous painting to three different audiences: sighted people, blind people, and a deaf and blind man.
Director of Photography
'The Temptation of Saint Anthony' is a triptych by the Dutch painter Hieronymus Bosch, exhibited in the National Museum of Ancient Art in Lisbon. In a visionary manner, it reproduces the temptations of the holy man in the desert by playing with the religious allegory, the mystical symbols of his age and the popular taste for illustration. More than a real image, it is a mental image. This mental image, which transforms very quickly into imagination, is therefore the subject of 'Anthony, the Invisible One', in which a guide presents the famous painting to three different audiences: sighted people, blind people, and a deaf and blind man.
Director
'The Temptation of Saint Anthony' is a triptych by the Dutch painter Hieronymus Bosch, exhibited in the National Museum of Ancient Art in Lisbon. In a visionary manner, it reproduces the temptations of the holy man in the desert by playing with the religious allegory, the mystical symbols of his age and the popular taste for illustration. More than a real image, it is a mental image. This mental image, which transforms very quickly into imagination, is therefore the subject of 'Anthony, the Invisible One', in which a guide presents the famous painting to three different audiences: sighted people, blind people, and a deaf and blind man.
Cinematography
Silva, an old drifter, arrives at a small and isolated Portuguese village where he meets the young Ana. They develop a relation in between friendship and initiation. Fascinated by that wondrous man, Ana progressively falls into his universe. A life populated by supernatural figures including her long lost friend Carolina. But strange fits weaken Silva, bringing him to the hospital, where a dozen women start inhabiting him. Will they save him?
Writer
Silva, an old drifter, arrives at a small and isolated Portuguese village where he meets the young Ana. They develop a relation in between friendship and initiation. Fascinated by that wondrous man, Ana progressively falls into his universe. A life populated by supernatural figures including her long lost friend Carolina. But strange fits weaken Silva, bringing him to the hospital, where a dozen women start inhabiting him. Will they save him?
Director
Silva, an old drifter, arrives at a small and isolated Portuguese village where he meets the young Ana. They develop a relation in between friendship and initiation. Fascinated by that wondrous man, Ana progressively falls into his universe. A life populated by supernatural figures including her long lost friend Carolina. But strange fits weaken Silva, bringing him to the hospital, where a dozen women start inhabiting him. Will they save him?
Editor
Elsa returns to her homeland, Caldas da Rainha, in Portugal to meet her mother. Through this little adventure, we discover the city and the mysterious activities of its inhabitants, as well as elements of Elsa's family history. A crossed impressionist portrait is woven, temporalities become confused, and dreams mingle with reality.
Director of Photography
Elsa returns to her homeland, Caldas da Rainha, in Portugal to meet her mother. Through this little adventure, we discover the city and the mysterious activities of its inhabitants, as well as elements of Elsa's family history. A crossed impressionist portrait is woven, temporalities become confused, and dreams mingle with reality.
Writer
Elsa returns to her homeland, Caldas da Rainha, in Portugal to meet her mother. Through this little adventure, we discover the city and the mysterious activities of its inhabitants, as well as elements of Elsa's family history. A crossed impressionist portrait is woven, temporalities become confused, and dreams mingle with reality.
Director
Elsa returns to her homeland, Caldas da Rainha, in Portugal to meet her mother. Through this little adventure, we discover the city and the mysterious activities of its inhabitants, as well as elements of Elsa's family history. A crossed impressionist portrait is woven, temporalities become confused, and dreams mingle with reality.
Editor
Portrait of a Portuguese bar whose boundary is a road in a little village. Through a succession of everyday scenes, a community appears, which is unified by the fact that there they feel “at home”. Its protagonists eat, drink, discuss, watch tv... they all spend time there, waiting for something.
Director
Portrait of a Portuguese bar whose boundary is a road in a little village. Through a succession of everyday scenes, a community appears, which is unified by the fact that there they feel “at home”. Its protagonists eat, drink, discuss, watch tv... they all spend time there, waiting for something.
