Ana Luísa Guimarães

A long-hidden, personal doc about leaving a beloved house by the late, revered Portuguese director Manoel de Oliveira.

Tomás is a young teenager who fights for the leadership of a small marginal group. One night, in the world that he cannot control, his fallout leads to the death of one of the group's members. Laura, the possible witness to the crime, becomes a threat.

Tomás is a young teenager who fights for the leadership of a small marginal group. One night, in the world that he cannot control, his fallout leads to the death of one of the group's members. Laura, the possible witness to the crime, becomes a threat.

Tomás is a young teenager who fights for the leadership of a small marginal group. One night, in the world that he cannot control, his fallout leads to the death of one of the group's members. Laura, the possible witness to the crime, becomes a threat.

Nino, tough but sickly, and his older brother Vicente live in the country with their father. After their father disappears ― we’re never sure why ― murder is suggested. Vicente brings his girlfriend to the house, and a different kind of family is established as the three youngsters grow fiercely protective of each other. But their uncle grows suspicious about the fate of the missing father and forcibly kidnaps Nino, taking him away to the city and leaving Vicente to locate him there.

A story about character created by Reinaldo Ferreira (1897-1935), action reporter, mystery novelist and emotion journalist.

It is the end of summer and Isabel is a relationship with Diogo. She don't quite know what she wants from her life going forward as her father gets sick.

Director Jorge Silva Melo has developed a viable, though highly intellectual mystery story about the world of art and culture and murder in this somewhat theatrical presentation. When German artist Bernd Hoffmann (Michael König) arrives in Lisbon to oversee the installation of his paintings in a joint exhibition with another Berlin artist, Hanna Brauer (Charlotte Schwab), Hanna never shows up. Hoffmann is puzzled because he is certain he saw a video sequence with Hanna at the exhibition, and he begins to look for her. Another Lisbon cultural center, a theater, is also having problems that may or may not be related -- and the mystery deepens when Hanna is found dead, either by her own hand, or murdered.

An approach to the life and work of Jorge de Sena, relying on the testimonies of Mécia de Sena (author of the texts she reads) and the insertion of brief segments of fiction from texts (poems, fiction and theatre) by the writer.