Director of Photography
Jesús María Carmona is a small-time crook who poses as a cop so he can rob a bank. A few days before the day he planned to do it, a guerrilla group robs the same bank and Carmona is shot to death defending it when he has no other choice but to act as a policeman. Soon after, his image becomes a symbol for the police and he is honored, but his identity is found out. Meanwhile, in the neighborhood where he grew up his effigy is burned as he is now considered a traitor.
Producer
1964, in a Latin American country, a journalist is head of an armed liberation movement that decides to initiate radical actions. His second in command, a farmer, and the other members of the group will kidnap a north american colonel stationed in Venezuela to force his government to suspend the execution of the vietnamese Nguyen Van Troi, accused of trying to assassinate the American Secretary of Defense, Robert McNamara.
Director of Photography
1964, in a Latin American country, a journalist is head of an armed liberation movement that decides to initiate radical actions. His second in command, a farmer, and the other members of the group will kidnap a north american colonel stationed in Venezuela to force his government to suspend the execution of the vietnamese Nguyen Van Troi, accused of trying to assassinate the American Secretary of Defense, Robert McNamara.
Producer
In Venezuela, one day in 1948 there were born three children all named Victorino: Pérez, mulatto and son of the poor Lucía; Perdomo, son of a middle-class communist who gets arrested; and bourgeois Peralta. On the day of his eighteenth birthday Pérez escapes from prison using lather pretending it to be a rage attack. Peralta shows a friend of his a car he got from his parents. A young lady gives herself to Perdomo as a birthday present. Pérez finds his mistress with another man and wounds her. Pérez and a few others rob an old man while riding on their motorcycles. Perdomo and a bunch of bushwhackers plan to rob a bank. Pérez sees a friend of his smoking pot while Peralta visits a cousin of his and has sex with her. Perdomo’s father, recently elected a communist representative wants to talk him out of his violent ways. Pérez sleeps with three girls and remembers how he once killed a man in the middle of a robbery. Peralta and his friends shoot dogs just for fun. Perdomo and his pals…
Cinematography
In Venezuela, one day in 1948 there were born three children all named Victorino: Pérez, mulatto and son of the poor Lucía; Perdomo, son of a middle-class communist who gets arrested; and bourgeois Peralta. On the day of his eighteenth birthday Pérez escapes from prison using lather pretending it to be a rage attack. Peralta shows a friend of his a car he got from his parents. A young lady gives herself to Perdomo as a birthday present. Pérez finds his mistress with another man and wounds her. Pérez and a few others rob an old man while riding on their motorcycles. Perdomo and a bunch of bushwhackers plan to rob a bank. Pérez sees a friend of his smoking pot while Peralta visits a cousin of his and has sex with her. Perdomo’s father, recently elected a communist representative wants to talk him out of his violent ways. Pérez sleeps with three girls and remembers how he once killed a man in the middle of a robbery. Peralta and his friends shoot dogs just for fun. Perdomo and his pals…
Cinematography
A naive but humane student leaves his town with the ambition to become a doctor, promising to return to help his people, who see him as a local hero.
Director of Photography
This anthology film consists of three parts: "Story One: The story of the brave man", "Story Two: Angels Rhythm" and "Story Three: The false office of supernumerary". The first story tells of a man desperate to get money to cure the illness of his daughter. The second story tells the adventures of a gang of youths; and finally, the third story tells of corruption in Congress.
