André Godinho

João is an immaterial girl, refusing to be anything other than what she wants to be, regardless of her age, gender or race. When Tiago looks at her it’s like she’s always a different person. Literally. But when their relationship becomes too real, he will have to confront the prejudices that he doesn’t even know he has, to understand the world that she created for herself.

João is an immaterial girl, refusing to be anything other than what she wants to be, regardless of her age, gender or race. When Tiago looks at her it’s like she’s always a different person. Literally. But when their relationship becomes too real, he will have to confront the prejudices that he doesn’t even know he has, to understand the world that she created for herself.

Several Portuguese creators occupy the director's chair in this collective short film shot during the COVID-19 pandemic shutdown in an unfolding of personal perspectives.

In 1927, Luís Wittnich Carrisso, professor at the Coimbra University, travels to Angola to study the local flora. Second episode of a series of 4 documentaries on the Botanical history of Portugal.

Two lovers hit the road for a holiday. They find a car that has been hit, and a dead woman by the accident. Two production assistants try to leave the set, but all the roads seem to hit the same spot, where they find a dead woman that walks.

Two lovers hit the road for a holiday. They find a car that has been hit, and a dead woman by the accident. Two production assistants try to leave the set, but all the roads seem to hit the same spot, where they find a dead woman that walks.

Two lovers hit the road for a holiday. They find a car that has been hit, and a dead woman by the accident. Two production assistants try to leave the set, but all the roads seem to hit the same spot, where they find a dead woman that walks.

A director gathers all the pieces he needs to make his film: a set, an actor, a writer, a director of photography, a studio, a script, a director.

A director gathers all the pieces he needs to make his film: a set, an actor, a writer, a director of photography, a studio, a script, a director.

A director gathers all the pieces he needs to make his film: a set, an actor, a writer, a director of photography, a studio, a script, a director.

A director gathers all the pieces he needs to make his film: a set, an actor, a writer, a director of photography, a studio, a script, a director.

A director gathers all the pieces he needs to make his film: a set, an actor, a writer, a director of photography, a studio, a script, a director.

Making of the opera "Riders to the Sea".

Maria Helena, 57 years old, lives in the small village of Lourel, on the outskirts of Lisbon. Her days are divided by the several chores imposed by household keeping: floor-washing, bathroom cleaning, doing the laundry. This is the story of a housewife who wished to fly faraway but didn’t, perhaps, as she puts it, because she was born “before time”. She goes through the daily routine with all she has left: memories and songs from another time, from a revolution (April, 1974), that fill in the soundtrack of her world and of her days.

Surrounded by a view of the port’s remains, the two women attempt to resolve their shared trauma and broken relationship.