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The film was made at the Polish Sculpture Center in Oransko, during sculpture workshops for deaf-blind people. The camera shows the process of creation, which is closely connected with getting to know oneself. It is accompanied by hesitation, anger and joy.
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A censor's tale about the official and unwritten rules of censorship in the People's Republic of Poland accompanied by shots and archival photographs. Their selection and presentation reveal the ironic attitude of the authors towards the protagonist's statements. The film was made in the year of the liquidation of the Main Office of Press, Publication and Audience Control.
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During the autumn of 1989 the director visited the territory of the USSR in search of the places where Polish citizens sent to labor camps had been executed. His route was marked out by diaries of former prisoners and the deportation chronology.
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Dwaj multi-instrumentaliści, Broda i Redaktorek, po kilku latach muzykowania w Finlandii wracają promem do kraju objętego stanem wojennym.
Tomaszow Maz
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A portrait of a working man - Stefan Piętowski, a craftsman who, at the age of 85, sums up his professional life. In order to do so, he organizes "The History of One Working Life" exhibition.
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A communist party control committee interrogates a worker and party activist who is to be excluded from the party.
