Catherine Le Mignant-Labye

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.

In Troumaron, an impoverished area of Port-Louis, the capital of Mauritius island, four youngsters tell us about their fight for their survival: Sadiq, the would-be poet, Eve, who prostituted herself as a child to obtain school materials, Clelio filled with his anger against the world, and Savita, 'the good girl' who wants to escape but finds all avenues are closed. Eve has a plan for her and Savita to get away. But it will go terribly awry, and its tragic consequences will lead them into a spiral of violence.

In a hospital on the outskirts of 1920s Los Angeles, an injured stuntman begins to tell a fellow patient, a little girl with a broken arm, a fantastic story about 5 mythical heroes. Thanks to his fractured state of mind and her vivid imagination, the line between fiction and reality starts to blur as the tale advances.