Fabrizio Corallo

Necessarily far from the spotlights, Monica Vitti shines in a light intact to the eyes of spectators at every latitude. On scene the artistic path and life full of unpredictable events of an actress both introverted and sunny are recalled, through excerpts from her films and television programs, testimonies of friends and colleagues, leading exponents of Italian cinema of yesterday and today, critics, writers and costume experts.

Necessarily far from the spotlights, Monica Vitti shines in a light intact to the eyes of spectators at every latitude. On scene the artistic path and life full of unpredictable events of an actress both introverted and sunny are recalled, through excerpts from her films and television programs, testimonies of friends and colleagues, leading exponents of Italian cinema of yesterday and today, critics, writers and costume experts.

This brisk, engaging documentary surveys the life, work, and legacy of Vittorio Gassman, the Italian screen icon who began his illustrious career as a serious dramatic stage actor before going on to subvert that image in classic works of commedia all’italiana by Mario Monicelli (Big Deal on Madonna Street), Dino Risi (Il Sorpasso), and Ettore Scola (We All Loved Each Other So Much). Through a wealth of interviews, film clips, and archival footage, Sono Gassman! reveals how Gassman’s comedic screen persona cannily reflected and critiqued mid-20th-century Italian society, while shedding light on the complex inner life of the man himself.

This brisk, engaging documentary surveys the life, work, and legacy of Vittorio Gassman, the Italian screen icon who began his illustrious career as a serious dramatic stage actor before going on to subvert that image in classic works of commedia all’italiana by Mario Monicelli (Big Deal on Madonna Street), Dino Risi (Il Sorpasso), and Ettore Scola (We All Loved Each Other So Much). Through a wealth of interviews, film clips, and archival footage, Sono Gassman! reveals how Gassman’s comedic screen persona cannily reflected and critiqued mid-20th-century Italian society, while shedding light on the complex inner life of the man himself.

This 2006 documentary was filmed on the occasion of director Dino Risi's ninetieth birthday. It features interviews with his collaborators, friends, and family, as well as Risi himself, who talks candidly about his personal successes and the obstacles he has faced.

After a nuclear war society breaks down into two groups, the evil Euraks, and the rebel Federation. A mercenary named Parsifal is hired by the Federation to infiltrate New York City, which is controlled by the Euraks, to rescue the only fertile woman left on Earth.

The Pope is disturbed by the fact that today's youth are not as spiritually inclined as they should be, and so he decides to set up a Vatican television station and entice them back into the religion of their ancestors. In order to particularly grab the wandering flock, a priest invites the comedians from "The Other Sunday," an actual comedy program on Italian television, to perform on this new channel.

SABATO (first episode): A company receives the visit of a very very important person. This person works for a biggest Japanese society, and this encounter is decisive for the small Italian company. DOMENICA (second episode): After a hard day of job, a man returns in it's house for sleep. But a series of facts hinder this, and the poor man does not succeed to sleep. VENERDI (third episode): A famous and rich creator of sexy ballets have various problems with a dancer. She want to leave the theater and marry a Mafia man.