Marianne Lambert

Siblings torn apart by the hazards of life meet in Spain to settle the family's modest inheritance. Gustave, the mover, on the brink of bankruptcy, Jules the anarchistic activist, and Lou, the youngest, lost between her brothers, yearning for the unknown. Each one has a different outlook on life and their personal projects for this inheritance will reawaken family disagreements and phantoms of the past.

Samuel Salomon, a literature professor, has been off work for almost a year after the tragic death of his girlfriend. Samuel has been suffering from a recurring nightmare in which a woman is brutally murdered in a strange ritual. Suddenly, the same woman who appears every night in his dreams is found dead in exactly the same circumstances. Samuel sneaks into the crime scene and there he meets Rachel who has also dreamed about the murder. Together, they will do whatever they can to discover the identity of the mystery woman, entering a terrifying world controlled by the figures who have inspired artists throughout time: the Muses.

I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.

I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.

A tale of an occidental merchant, Kaspar Almayer, whose dreams of riches for his beloved daughter, Nina, collapse under the weight of his own greed and prejudice.