Kodayu Ichikawa

1961 Japanese film about the Shinsengumi.

Detective Hanshichi (Kataoka Chiezo) solves 3 mysterious murder cases. Great story and an impressive all-star cast, a must see!

Kinnosuke of Toyama sets out on a private mission to clear his father’s name for a crime he did not commit.

Umon’s services are called upon when innocent bystanders, Kayo and Minokichi, along with the ronin, Gontaro are mistakenly identified as suspects in several recent murder cases. To prove their innocence and uncover the truth, Umon launches his own investigation.

The adopted son of an Osaka courier falls in love with a prostitute and, discovering that she is about to be purchased by a client, steals money from his employer to redeem her. Hunted criminals, the two young lovers take flight to Yamato, but, as in Chikamatsu's other domestic tragedies of love and duty (known as sewamono), they must be pursued and their passion destroyed by death. Favourite Uchida themes, such as the indenturing of a prostitute (cf. YOSHIWARA; A BLOODY SPEAR AT MT. FUJI), and his characteristic emphasis on performance and theatrical artifice re-emerge here; but the daring device of having Chikamatsu appear as a character - not unlike having Shakespeare interpolated into a film adaptation of one of his plays - is just one of many surprises this remarkable film holds. “Extraordinary” (Donald Richie).

One of the great stories from Japan’s rich history comes to life in this true tale of the bloody showdown between two rival yakuza gangs in the 1840’s. The battle between Boss Sukegoro of Iioka and Boss Shigezo of Sasagawa has been portrayed many times, most notably in the first Zatoichi film, where the blind man befriends the tubercular ronin Hirate Miki, before cutting him down in one of the great duels in cinema history. This all-star extravaganza pulls out all the stops, with appearances by virtually all of the great actors and actresses from Toei’s studio at the time. Ichikawa Utaemon’s portrayal of the kind-hearted, noble yakuza boss Shigezo of Sasagawa contrasts sharply with the devious Sukegoro of Iioka. Corrupt as he may have been, his men were all willing to give up their lives for him.

Featuring some of the finest swordsmen ever to grace the silver screen, this Toei classic tells the story of a battle between the evil sword style called ”Otonashi” (The Silent Form) and the proper way of swordsmanship as promoted by such historical stalwarts as Shimada Toranosuke, and the mysterious Honda Sakon, who face off against a group masquerading as the lord of Mito and his traveling bodyguards Suke-san and Kaku-san. The plot thickens as their leader unveils his secret plan to disrupt the stability of the nation. It is all in the name of swordsmanship, and as the title implies there are no stronger swordsmen!

Kataoka Chiezo stars as Murasaki Zukin, a mysterious hero of the people who helps those in need. Now under the rule of the evil Tanuma, the people look to Murasaki Zukin more than ever, to confront and punish those who bring misfortune upon the commoners. Will he be able to bring peace to the land? One of the greatest actors from Toei Studios, known mainly for his swashbuckling roles as powerful swordsmen such as Ryunosuke in SOULS IN THE MOONLIGHT, he appeared in 325 films both before and after the war, beginning with CHUSHINGURA in 1928, and including KUNISADA CHUJI in 1933, and DOKUGANRYO MASAMUNE. While best known for his swordplay, Chiezo really did not enjoy the action, but was able to use his menacing presence to stare down his adversaries. Although Kataoka Chiezo passed away in 1983 at the age of 79, he still has many fans today. This film shows him at his best.

Tasuke stumbles across Kokichi, a distraught man whom having lost his fiancee to Lord Kawakatsu is ready to commit suicide. Tasuke learns that Kokichi's fiancee, Otoyo, was a chambermaid whom Kawakatsu abducted in order to make her his concubine and Tasuke feels compelled to right this wrong. Meanwhile Kawakatsu is dealing in black-market lumber and receiving kick-backs but unbeknownst to him he is under investigation by Lord Izu, one of the Shogun Elders. Will Tasuke be able to rescue Otoyo from the clutches of Lord Kawakatsu and can Lord Izu put an end to his money hungry evildoings.

Townsend Harris is sent by President Pierce to Japan to serve as the first U.S. Consul-General to that country. Harris discovers enormous hostility to foreigners, as well as the love of a young geisha.

The Shinsengumi is a special unit of ronin commissioned by the Tokugawa shogunate to counter anti-shogunate activities in Kyoto. A sinister plot to overthrow the shogun is set in motion and Kondo Isami and his fellow samurai must answer the call and expose those behind it.

Two guardians of the Nijo Castle, Shioya and Kamazawa, discover a map leading to a secret passage to Edo Castle. Instead of reporting their find to local authorities, they decide to blackmail the lords who created the forbidden passage. To prove their crime, Magistrate Toyama Kinshiro launches a private undercover investigation.

Toyama Kinshiro, a commissioner from northern Edo, goes undercover to unravel the mystery behind a series of murders. Kinshiro, played by Kataoka Chiezo, is most famous for the cherry blossom tattoos on his shoulder which he reveals at the moment of judgement.

Akitaro Orizuru, who set out on a journey to avenge his father's death in the darkness, returned to Itako, his hometown, where the Ayame Festival was approaching, for the first time in five years. His late father's brother, Sutezo, who took off his waraji, runs a small prostitute with only one child, Sutematsu. In addition, only Shigezaburo, who left a mark in the middle wind, was ill-mannered by Inomatsu. Akitaro was accompanied by a daughter named Omitsu on the way to here, but she was Ura's younger sister who works at Fujikura's house, and the villagers worked on the fifty cars to meet her critically ill father.

Famed detective Dandy Sashichi tries to solve who's behind the serial murders of six beautiful women under the aegis of local showman Ibaragiya. The film opens with the sextet humiliating a respected painter's portraits of them, driving the man to a sus­picious suicide. Later, while celebrating his son's impending marriage into a wealthy family, Ibaragiya releases six pigeons from a pleasure boat, each with a rolled up drawing of one of the beauties tied to their legs. He offers a cash reward to whomever recovers the pictures, but they instead become death notices of which of the six are next to die.

Tomu Uchida's Gyakushu Gokumon Toride is a masterpiece which treats class struggle in the end of Samurai era(it's a fiction). The story is based on the legend of William Tell, changed at the end of age of Samurai.

Film adaption by Kenji Misumi

A power struggle in the fief of Okazaki causes the death of Namiji, a nobleman's daughter. As her fiancé seeks revenge, he finds Namiji's cat helping him. Co-starring Shintarô Katsu and Takako Irie.

It is brother against brother in this tale of love and betrayal within the famed Yagyu clan. In one of their earliest films together, superstars Ichikawa Raizo and Katsu Shintaro are magnificent as the two finest young swordsmen in the clan. As they vie for the hand of a beautiful woman their loyalty comes into question during an attack on their lord. When one of them masters the secret technique taught to him by Miyamoto Musashi, it leads to bloody violence that can tear the clan apart! Filled with superb swordplay this rare classic is not to be missed!

Japanese film.

The tragedy of the geiko girl Ume and the men who try to pursue her.

Japanese comedy film.

The story about the rise and fall of the famed mercenaries, Shinsengumi, who are hired by a crumbling feudal government.

Each one of us lives differently. So, there are many tragedies and comedies in our lives. She feels many conflicts in living her life between truth and love.

A young woman becomes president of a business.

Machiko and Haruki’s drama continues. Two meet again in Hokkaido only to be separated again.

Machiko Ujiie and Haruki Atomiya first meet and fall in love on Ginza’s Sukiyabashi Bridge during the Great Tokyo Air Raid in March 1945. Machiko and Haruki pledge to meet again at the bridge in six months but part without asking each other’s names.

1953 jidaigeki directed by Nobuo Nakagawa of Jigoku and Ghost of Yotsuya fame.

The final film in the 1953 trilogy based on the long novel series The Great Bodhisattva Pass.

Period film about a feudal era judge living in Edo

Horror film directed by Minoru Inuzuka.

During the 17th Century roving bands of hatamoto were causing trouble in the new capital city of Edo and constantly fought with the townspeople at every turn. The leader of these ruthless samruai was Mizuno Jirozaemon, who despite his high rank was in deep financial distress, thus leading to a tragedy that shook the very streets of the city.Opposing him was Banzui-in Chobei, the ‘Protector of the Weak’ who was willing to put his life on the line to save the 808 districts of Edo from the 80,000 hatamoto whose violent behavior threatened to destroy the fabric of society. Starring Bando Tsumasaburo, the first great star of the silver screen along with mega-star Ichikawa Utaemon, this is a story not to be missed. Torn from the pages of history, this true story has been told many times, but never as powerfully as this!

A young boy named Chomatsu (Misora Hibari) lives with an old man Denbei near the grounds of Asakusa temple as bell ringers. In their house is an Echigo lion mask, a memento of Chomatsu's deceased father. After several incidents of Echigo lion masks being destroyed in the area, a local kingpin Saheiji shows up at Denbei's demanded he hand over the mask, a request Denbei rejects out of pity for Chomatsu. However, after it is accidentally revealed that the mask contains an important map, Saheiji plots to steal the mask. Chomatsu gets involved after his mother makes a sudden reappearance that sends the boy on a roundabout journey that will reveal the truth about his family.