Debra Brown

A shy woman, endowed with the speed, reflexes, and senses of a cat, walks a thin line between criminal and hero, even as a detective doggedly pursues her, fascinated by both of her personas

Famed monster slayer Gabriel Van Helsing is dispatched to Transylvania to assist the last of the Valerious bloodline in defeating Count Dracula. Anna Valerious reveals that Dracula has formed an unholy alliance with Dr. Frankenstein's monster and is hell-bent on exacting a centuries-old curse on her family.

Zumanity was a resident cabaret-style show by Cirque du Soleil at the New York-New York Hotel & Casino on the Las Vegas Strip. It is the first "adult-themed" Cirque du Soleil show, billed as "the sensual side of Cirque du Soleil" or "another side of Cirque du Soleil". Created by René Richard Cyr and Dominic Champagne, Zumanity is a departure from the standard Cirque format. Intended to be for mature adult audiences only, this show is centered on erotic song, dance, acrobatics and comedy.

Once upon a time, a door opened and two worlds collided. Dreams clashed with reality. The mundane mixed with the marvelous. It was no longer possible to tell where one world began and the other ended. This new place was called La Nouba. This special presentation features highlights of the show and live interviews with the creators of La Nouba that takes you from conception to perception.

Mom and dad dump son Cody, daughter Abby, her best friend Marcella and a baby on the farm with Grandpa and Grandma. Purple dinosaur Barney soon appears to entertain the kids, and when a large colorful egg deposited on a farm by a shooting star is accidentally carted off, Barney and the kids start their chase for it.

As the waters of the river Seine overflow their banks and surround a Parisian café, composer Erik Satie nurtures bittersweet memories of his one-time lover Suzanne Valadon.

Come in under the Big Top for a behind-the-scenes look at the making of Cirque du Soleil's ninth creation, which critics have described as "the most dramatic, the most esthetic and perhaps the most melancholy show in the history of this marvelous circus" (La Presse, Montreal). Full Circle shows you the making of Quidam, from its very beginnings to its triumphant finish.

What happened to Figaro and his friends after the events told in Rossini’s and Mozart’s operas? One possible sequel is told in John Corigliano’s “grand opera buffa” The Ghosts of Versailles—an uproariously funny and deeply moving work inspired by Beaumarchais’s third Figaro play, La Mère Coupable, and commissioned by the Met to celebrate its 100th anniversary. This telecast captures its world premiere run, conducted by James Levine. Håkan Hagegård is Beaumarchais, Figaro’s creator, who is deeply in love with Marie Antoinette (Teresa Stratas in a heart-searing performance) and determined to rewrite history and save her from the guillotine. A young Renée Fleming, at the beginning of her international career, sings the unfaithful Rosina. Gino Quilico is the wily Figaro who tries to take matters in his own hands, and Marilyn Horne stops the show as the exotic entertainer Samira.