Producer
Humaira Bilkis has a problem: after a pilgrimage to Mecca, her mother, who was previously an emancipated poet, has now become devout. The filmmaker has to fight to get her to accept the camera, since her religion forbids images, while hiding her relationship with a Hindu man from Calcutta. Her film plays out like a closed-door documentary, spot-on and moving.
Screenplay
Mina, the director of the film unveils a family secret about her grandmother's death. through a monologue with her grandmother, Mina shows the reality of domestic violence against women in Iran.
Producer
Mina, the director of the film unveils a family secret about her grandmother's death. through a monologue with her grandmother, Mina shows the reality of domestic violence against women in Iran.
Director
Mina, the director of the film unveils a family secret about her grandmother's death. through a monologue with her grandmother, Mina shows the reality of domestic violence against women in Iran.
Producer
A crew of a trawler crosses the ocean with one aim in mind: to catch 2000 tons of tuna. Out in the deep waters for months, these men share extremely harsh living conditions. Between poetry and social criticism, Fish Eye invites us to reflect on the mechanisms of capitalism through industrial-scale fishing.
Writer
Director
Director
This is the story of Roghieh, a woman in Southern Iran who is trying to secure jobs for women in her community through a Bazaar she established and runs, where over 800 women work, but a local politician, the mayor, threatens her. He wants to destroy the Bazaar and build a big shopping mall.
Director
In this absorbing film, seven independent female Iranian documentary makers take us into their personal and professional world, in an Iran that continues to be punctured by political, social and economic crises. What becomes clear over seven autobiographical chapters, is that choosing to become a documentary maker in Iran is a brave decision, often placing your liberty in danger. These women are driven by the need to document their world, and the forces that continue to restrict their movement and freedom. Whether it is making a film about department stores in Tehran featuring mannequins with severed heads and breasts, or the women singers they used to love as children, who have been banned from radio and TV since the revolution, or the huge swell of hope that comes with each election, these directors provide a rare and incisive view inside contemporary Iran, a country they continue to love, even as they will it to change.
Director
Mina, the director, is a girl from Shiraz who gets married in order to move to Tehran. Influenced by her own life, she decides to make a documentary about the girls nationwide who, like Azar, move to Tehran (the capital city) to start an independent life away from their families’ watchful eyes and restrictions. The film is about Mina and Azar’s constant struggle to find the answer as to why families and the society have difficulty in accepting an independent life for a single girl.
