Norman
Kyle is loyal to his wife, his best mate and his boss in the Ulster Defence Union – and they love him as a husband, a brother and a son – but, with changing times and the emerging peace process, Kyle finds himself lost in the shadows of transition, uncertainty, and betrayal. In a world turned upside down, peace and brutality walk side-by-side, while love and loyalty are sacrificed to the new order. "As the Beast Sleeps" is set in Belfast's Protestant Rathcoole housing estate and explores with an up-to-the-minute urgency, the fragmentation within an extended family of loyalists in the context of the current cease-fire.
Theobald Dring
Spike Milligan's book about the divided Irish village of Puckoon comes to the big screen.
Dotty O'Neill
Based on the best selling autobiography by Irish expat Frank McCourt, Angela's Ashes follows the experiences of young Frankie and his family as they try against all odds to escape the poverty endemic in the slums of pre-war Limerick. The film opens with the family in Brooklyn, but following the death of one of Frankie's siblings, they return home, only to find the situation there even worse. Prejudice against Frankie's Northern Irish father makes his search for employment in the Republic difficult despite his having fought for the IRA, and when he does find money, he spends the money on drink.
Det. Prentice
A former Irish Republican Army fighter, Gingy McAnally (Anthony Brophy), is reluctant about being called back into service after serving time in prison. He executes the grisly task but ends up captured by a sympathetic British police lieutenant named Ferris (Cary Elwes). The intimidating Chief Inspector of the Belfast Police (Timothy Dalton) convinces Gingy that his best hope is to become an informant and turn in other IRA operatives. As Gingy's marriage unravels under the stress, he is forced to come to terms with the fact that in this war both sides lose. Three men, three political circles, each fighting for their lives, each with their own agenda in the battle for Northern Ireland.
In the beginning skate and snowboard videos were, for the most part, simple displays of talent. The Whiskey videos changed all that. No it wasn't because of flashy editing, top industry pros, or huge production budgets. These videos were made by a couple of third rate pros. All they had were a few shitty cameras and enough gas money to get to Whistler.
