With millions of tiny strokes of her humble pencil, Laurie Lipton’s haunted images seek answers to some of the most uncomfortable themes in our culture. But what compels her to live a life of isolation drawing is neither black nor white.
In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into animals and sent off into The Woods.
