Francesco Liotard

Inspired by true events that occurred during the fierce rivalry between Germany (Audi) and Italy (Lancia) at the 1983 Rally World Championships.

Italy, after the promulgation of the racial laws (1938). Luciano, a Fascist-abiding restaurateur, nonetheless believes he can still live by his own rules inside his business. However, everything changes when Anna, a girl with a dangerous secret, starts to work at his restaurant.

Sicily, 2020. In a godforsaken countryside, a sudden change of weather finally marks the end of a suffocating summer. An immersion into the landscapes of a wounded island.

Profile of one of the first female film producers, not just in Italy but in the entire world.

Three well-off young men—former students at Rome’s prestigious all-boys Catholic high school San Leone Magno—brutally tortured, raped, and murdered two young women in 1975. The event, which came to be known as the Circeo massacre, shocked and captivated the country, exposing the violence and dark underbelly of the upper middle class at a moment when the traditional structures of family and religion were seen as under threat.

Fake news and racial integration: is there a connection? 5 stories, a rifle, the patron' festival and a small community with its everyday life are going to be upset by an outsider, an unscrupulous journalist coming from the big city.

Marco and Anita discover they are expecting a child. Finally a ray of light in Marco’s life after his heartbreak following the loss of Leo, his first born with his former wife Clara. Suddenly, however Perla, the new owner where the couple lived until the tragic accident, bursts into Marco’s and his ex-wife’s lives. The mysterious woman claims she keeps feeling a strange presence and hearing the voice of a child that is tormenting her and her son. Marco therefore finds himself torn between the ties of the past and an unwritten future.

Ever since, at the age of six, Dario Cavalieri saw live images of the first moon landing, he has never stopped wanting to go there. Mario Cavalieri runs a neighborhood hardware store in Rome, until the day his existence is upset by the phone ring. His brother Dario is in prison. Mario finds himself being the only one who can take care of that brother he has seen only once in his life. The two brothers, as physically similar as they are different in character, will find themselves alone in the face of an impossible undertaking.

Matteo is a young successful businessman, audacious, charming and energetic. Ettore instead, is a calm, righteous, second grade teacher always living in the shadows, still in the small town from where both come from. They’re brothers but with two very different personalities. A dramatic event will force them to live together in Rome for a few months, bringing up the opportunity to face their differences with sympathy and tenderness, in a climax of fear and euphoria.

The film is the personal story of a protagonist of our times and traces Carlo Martini's actions and thoughts, as he has remained faithful to its vocation and ideals. Through dramatic events (terrorism, Tangentopoli, labor crisis, conflict, loneliness) Carlo Martini interpreted losses and concerns of the people, who saw a free man and a non dogmatic prince of the Gospel Church. Thanks to the authenticity of his testimony he has been a reference point for believers and non-believers, a prophet of hope, a forerunner of Pope Francis.

The story of the day, from early morning to night, of Mary, a confused but dynamic woman who pursues her career as an actress, but is lost in the fragmentation of the Roman daily. A newspaper that revolves around what seems to be the only source of livelihood for the Eternal City: tourism. Let's see Maria run from the theaters to check-in at the tourists and from check-in to screening in a frenzy that will blur in comical and grueling situations.

Two aging men bond over their respective heartbreaks, but it may not be over yet...

What is the "feeling" of a city? Is it the roads, the light that illuminates them, the people that live there and their stories? It's all these things, but also something else, something requiring time and attention to be understood. The film goes in search of this feeling exploring the city of Venice and its lagoon, prying into its less-known corners and listening to the stories of six citizens: a hotel waitress, an old archaeologist, a pensioner from Mestre, a painter/fisherman, an apartment burglar and a young boy.

A music group and a journalist cross the region of Basilicata by foot to attend a music festival.

Ermanno Olmi has returned to documentary filmmaking and makes a journey through valleys, living rocks and the culture of the Valtellina hillsides.

In autumn of 1526, the Emperor, Charles V, sends his German landsknechts led by Georg von Frundsberg to march towards Rome. The inferior papal armies, commanded by Giovanni de'Medici, try to chase them in the midst of a harsh winter. Nevertheless, the Imperial armies manage to cross the rivers along their march and get cannons thanks to the maneuvers of its Lords. In a skirmish, Giovanni de'Medici is wounded in the leg by a falconet shot. The attempts to cure him fail and he dies. The Imperial armies assault Rome. The film is beautifully but unassumingly set, and shows the hard conditions in which war is waged and its lack of glory. It ends straightforwardly with the declaration made after the death of Giovanni de'Medici by the commanders of the armies in Europe of not using again fire weapons because of their cruelty.