Mikhail Lermontov

Pechorin, a young officer, embarks on a journey across the majestic mountains of the Caucasus, on a path set by his passionate encounters. Disillusioned and careless, he inflicts pain upon himself and the women around him… The story, based on the larger-than-life hero Pechorin, is adapted from Mikhail Lermontov’s literary masterpiece in three separate stories recounting his heartbreaking betrayals. Is Pechorin a real hero? Or is he a man like any other? This brand new production by choreographer Yuri Possokhov is a tragic poetic journey that can only be seen at the Bolshoi. Filmed live on April 9th 2017.

Wandering minstrel Ashik Kerib falls in love with a rich merchant's daughter, but is spurned by her father and forced to roam the world for a thousand and one nights. Now presumed dead by those he loves, he performs for the poor and unfortunate on his journeys through the wilderness. Parajanov's visually ravishing 'tableaux vivants' tell Lermontov's romantic tale while Turkish and Azerbaijani folk songs transport us into its mystical landscapes.

Grigory Pechorin, a dashing Byronic figure, arrives in Pyatigorsk and gets entangled in a web of romantic ploys and deceptions. Based on "Princess Mary", the longest novella in Mikhail Lermontov's "A Hero of Our Time".

Russian officer Pechorin falls in love with Bela, the daughter of a local chieftain. By tricking her brother Azamat into abducting her, he calls upon himself the wrath of horseman Kazbich.

After the death of Bela, Pechorin was unwell for a long time, and then left the fortress and Maxim Maximych and left for Georgia. Since then, the headquarters captain had no news of his friend, often recalled and carefully carried his diaries in his wanderings. Five years have passed... Once at a post station near Vladikavkaz, Maxim Maximych with delight learns that Grigory Pechorin also came here. The long-awaited meeting brings an unbearable pain and bitterness of disappointment to the old warrior. In his hearts, he mercilessly parted with the travel notes of the ensign. And his random companion finds on the yellowed pages the story of the soul of an amazing, extraordinary person who brings misfortune to others all his life.

Taken from a Lermontov play, Sergei Gerasimov's Maskarad (1941) begins when beautiful Nina (Makarova) loses a bracelet during a masked ball. Another woman finds it and without revealing whose bracelet it belongs to, she gives it to an ardent Calvary officer admirer at the ball. This leads to deeper and deeper incisions upon the urbane social body of Tsarist Russia. A drama of pride, marital distrust, gambling, infidelity and humiliation twirls around the decaying corpse of a perverted social class.

Pechorin is deprived of the officer’s rank and gets transferred to one of the mountain villages of the Caucasus. He gets bored of the everyday life and starts looking for fun. He promises Azamat to help him steal Kazbich’s horse if the former allows Pechorin to marry his sister Bela. Soon Pechorin gets annoyed by Bela’s presence. Kazbich, insulted by the theft of his horse kills Bela. Coldblooded Pechorin is hardly moved by this news.

The boring daily life of the high society of Pyatigorsk in the XIX century is revived by the arrival of Pechorin from St. Petersburg. Pechorin’s love affair with Mary becomes the subject of controversy.

First film adaptation of the chapter “Bela” from Mikhail Lermontov’s A Hero of Our Time.

The landowner Palitsyn (Chardynin) long and successfully sues the neighbor. The lawsuit led to the ruin. He died, leaving orphans children — humpback a young boy Vadim (Speransky) and three-year Olga. In order to avoid condemnation, the Palitsyn takes the girl to the pupils. The young man vows to take revenge on the offender and leaves this region. Several years pass. Olga (Goncharova) becomes the beauty and object of desire of the elderly Palitsyn. Comes the hour of revenge. Returned and did not learn of Vadim goes to the Lord in slaves. Soon he reveals to Olga the truth about the real family. The girl agrees to help Vadim. Meanwhile, the younger Palitsyn — son Yuri returns to the estate. Olga falls in love with the young landowner and refuses to help her brother. Finally angry Vadim decides to finish with the whole hated family. He goes to the camp of Pugachev to later return to the estate of Palitsyn and take revenge.

Based on Lermontov's poem of the same name, Boyar Orsha (Peter Chardynin) leaves the service of Ivan the Terrible.

Screen adaptation of the play of the same name by Mikhail Yurievich Lermontov.